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Exlpore more Culture quotes
"Once we got out of Jefferson Park, we rolled down the one window that worked so the world would know we had good taste in music."
"I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life."
"The problem with our culture is we cling to so many different truths. Yet, the truths that we cling to also depend on our point of view. Maybe, the journey to a truth that can be free of hatred, bias and injustice requires a journey of the soul to see all view points."
"For an idea ever to be fashionable is ominous since it must afterwards be always old-fashioned."
"Paris is a woman but London is an independent man puffing his pipe in a pub."
Explore more quotes by Alexander McCall Smith
"What we have, we all must lose-that applied to everything, even to that which we thought we had the greatest right. We were tenants of this earth-nothing more."
"There was no point in telling somebody not to cry, she had always thought; indeed there were times when you should do exactly the opposite, when you should urge people to cry, to start the healing that sometimes only tears can bring. But if there was a place for tears of relief, there might even be a place for tears of pride."
"She would not allow herself to remember how Note had treated her, and many others too, she suspected. She had forgiven him, yes, but she still did not like to remember. And perhaps a deliberate act of forgetting went along with forgiveness. You forgave, and then you said to yourself: Now I shall forget. Because if you did not forget, then your forgiveness would be tested, perhaps many times and in ways that you could not resist, and you might go back to anger, and to hating."
"Morality is for everybody, and this means that the views of more than one person are needed to create it. That was what made the modern morality, with its emphasis on individuals and the working out of an individual position, so weak. If you gave people the chance to work out their morality, then they would work out the version which was easiest for them and which allowed them to do what suited them for as much of the time as possible. That, in Mma Ramotswe's view, was simple selfishness, whatever grand name one gave to it."
"Everything, all those great things, had happened so far away--or so it seemed to [Mma Ramotswe] at the time. The world was made to sound as if it belonged to other people--to those who lived in distant countries that were so different from Botswana; that was before people had learned to assert that the world was theirs too, that what happened in Botswana was every bit as important, and valuable, as what happened anywhere else."
"How often have I noticed or, indeed, listened to him? We talk, but do I actually listen, or is our conversation mainly a question of my waiting for him to stop and for it to be my turn to say something? For how many of us is that what conversation means - the setting up of our lines?"
"Antonia was very conscious of the corrosive power of envy and felt that it was this emotion, more than any other, which lay behind human unhappiness. People did not realise how widespread envy was."
"She knew as well as anyone that the world could be a place of trial and sorrow, that there was injustice and suffering and heartlessness - there was enough of all that to fill the great Kalahari twice over, but what good did it do to ponder that and that alone? None, she thought."
"She did not think that those who were late, or the ancestors themselves, would wish punishment upon us, no matter what our transgressions. It was far more likely that there would be love, falling like rain from above, changing the hearts of the wicked; transforming them."
"Moral beauty existed as clearly as any other form of beauty and perhaps that was where we could find the God who was so vividly, and sometimes bizarrely, described in our noisy religious explanations. It was an intriguing thought, as it meant that a concert could be a spiritual experience, a secular painting a religious icon, a beguiling face a passing angel."
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