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"To the world, you are America."
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"America is now wholly given over to a damned mob of scribbling women, and I should have no chance of success while the public taste is occupied with their trash--and should be ashamed of myself if I did succeed. What is the mystery of these innumberable editions of The Lamplighter (by Maria Susanna Cummins), and other books neither better nor worse? Worse they could not be, and better they need not be, when they sell by the hundred thousand."

"America is a nation that conceives many odd inventions for getting somewhere but it can think of nothing to do once it gets there."

"Perhaps, after all, America never has been discovered. I myself would say that it had merely been detected."

"If you take any populated place - any major city in America - and drive 45 minutes from that spot directly out of town you'll be in about as country a place as you'll ever find."

"They take pride in their schools. They begin to participate, where, when they are renters, they don't do that. So what we're doing by this program is strengthening America."
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"Shakespeare is the outstanding example of how that can be done. In all of Shakespeare's plays, no matter what tragic events occur, no matter what rises and falls, we return to stability in the end."

"Society mends its wounds. And that's invariably true in all the tragedies, in the comedies as well. And certainly in the histories."

"Undeniably the American art form, too. And yet more and more, we see films made that diminish the American experience and example. And sometimes trash it completely."

"I've played three presidents, three saints and two geniuses - and that's probably enough for any man."

"In recent years, anyone in the government, certainly anyone in the FBI or the CIA, or recently, in again, Clint's film, In the Line of Fire, the main bad guy is the chief advisor to the president."

"You could think of extraordinary examples to the contrary: The Grapes of Wrath... and even into the 70s."

"And their pals vote for their stuff when they're not on the panel, and it just keeps going that way. And they tend to be very fringe artists, so anything before the 20th century is not worth considering. This is out of date."

"The big studio era is from the coming of sound until 1950, until I came in... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking."
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