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Rem Koolhaas

"The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox."

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"The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox."

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Amber Hurdle

"Whatever you do gives you the name it gives."

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Amber Hurdle

"I went for an outrageous form of expressing myself. It seemed to be a way that I could make my name and show that I was somebody."

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Amber Hurdle

"Great was the name of Abraham, but all his Sons were not accepted; only Isaac was in the Covenant."

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Amber Hurdle

"Back then, everyone was Lana and Rock. No one had ethnic names."

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Amber Hurdle

"What's in a name? That which we call a rose by any other name would smell as sweet."

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Amber Hurdle

"I had to overcome the name Rock. If I'd been as hip then as I am now, I would have never consented to be named Rock."

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Amber Hurdle

"I never heard nobody in my audience call me any kind of names."

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Amber Hurdle

"Gwyneth Paltrow names her kid Apple. I'm not going to let that stand."

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Amber Hurdle

"If you tried to give rock and roll another name, you might call it 'Chuck Berry'."

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Amber Hurdle

"We had every kind of audience you could name. Young, old, not-so-old, some older than old, some younger than young: they were there, they were there! There was everything."

Explore more quotes by Rem Koolhaas

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Rem Koolhaas
"The areas of consensus shift unbelievably fast; the bubbles of certainty are constantly exploding."
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Rem Koolhaas
"Each building has to be beautiful, but cheap and fast, but it lasts forever. That is already an incredible battery of seemingly contradictory demands. So yes, I'm definitely perhaps contradictory person, but I operate in very contradictory times."
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Rem Koolhaas
"I'd say that my profession ends where architectural thinking ends - architectural thinking in terms of thinking about programs and organizational structure. These abstractions play a role in many other disciplines, and those disciplines are now defining their 'architectures' as well."
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Rem Koolhaas
"People can inhabit anything. And they can be miserable in anything and ecstatic in anything. More and more I think that architecture has nothing to do with it. Of course, that's both liberating and alarming."
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Rem Koolhaas
"Any architectural project we do takes at least four or five years, so increasingly there is a discrepancy between the acceleration of culture and the continuing slowness of architecture."
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Rem Koolhaas
"Escape from the architecture ghetto is one of the major drivers and has been from the very beginning."
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Rem Koolhaas
"We say we want to create beauty, identity, quality, singularity. And yet, maybe in truth these cities that we have are desired. Maybe their very characterlessness provides the best context for living."
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Rem Koolhaas
"The luxury of our position now is that we can almost assemble any team to address any issue."
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Rem Koolhaas
"When shopping was still connected to the street it was also an intensification and articulation of the street. Now it has become utterly independent - contained, controlled, surveyed."
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Rem Koolhaas
"Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to really ignore it. It would be a nightmare if we started to really think about it; it would tie our hands, it would tie everyone else's hands."
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