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Rem Koolhaas

"The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox."

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"The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox."

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Amber Hurdle

"When we took on the name The Drifters, we became the new Drifters, and signed a contract to be put on salary, which I think was like a hundred dollars a week, a piece, five hundred dollars for all five of us."

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Amber Hurdle

"Deep Throat was a very unfortunate name given to the source by the managing editor of The Washington Post."

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Amber Hurdle

"The point of writing my name to you is that I see who you are, you see who I am... and that's what it's about."

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Amber Hurdle

"I went for an outrageous form of expressing myself. It seemed to be a way that I could make my name and show that I was somebody."

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Amber Hurdle

"Whatever you do gives you the name it gives."

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Amber Hurdle

"When she started to play, Steinway came down personally and rubbed his name off the piano."

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Amber Hurdle

"Jim Bakker spells his name with two k's because three would be too obvious."

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Amber Hurdle

"Name me an emperor who was ever struck by a cannonball."

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Amber Hurdle

"I want my name back."

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Amber Hurdle

"My name is real, which probably explains why I never became a superstar... how would that look in lights?"

Explore more quotes by Rem Koolhaas

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Rem Koolhaas
"One of our theories is that one can offset this excessive compulsion toward the spectacular with a return to simplicity."
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Rem Koolhaas
"The areas of consensus shift unbelievably fast; the bubbles of certainty are constantly exploding."
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Rem Koolhaas
"When shopping was still connected to the street it was also an intensification and articulation of the street. Now it has become utterly independent - contained, controlled, surveyed."
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Rem Koolhaas
"Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to really ignore it. It would be a nightmare if we started to really think about it; it would tie our hands, it would tie everyone else's hands."
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Rem Koolhaas
"I'd say that my profession ends where architectural thinking ends - architectural thinking in terms of thinking about programs and organizational structure. These abstractions play a role in many other disciplines, and those disciplines are now defining their 'architectures' as well."
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Rem Koolhaas
"But now sustainability is such a political category that it's getting more and more difficult to think about it in a serious way. Sustainability has become an ornament."
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Rem Koolhaas
"Each building has to be beautiful, but cheap and fast, but it lasts forever. That is already an incredible battery of seemingly contradictory demands. So yes, I'm definitely perhaps contradictory person, but I operate in very contradictory times."
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Rem Koolhaas
"The work in S, M, L, XL was almost suicidal. It required so much effort that our office almost went bankrupt."
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Rem Koolhaas
"We felt it was very important for an entity like CCTV to make its presence felt... To generate a space and to define a space, that is the main thing."
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Rem Koolhaas
"People can inhabit anything. And they can be miserable in anything and ecstatic in anything. More and more I think that architecture has nothing to do with it. Of course, that's both liberating and alarming."
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