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Chuck Klosterman

"The deeper reality is that I'm not sure if what I do is real. I usually believe that I'm certain about how I feel, but that seems naive. How do we know how we feel? There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There's probably a third level, too-how I want to think I feel."

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"The deeper reality is that I'm not sure if what I do is real. I usually believe that I'm certain about how I feel, but that seems naive. How do we know how we feel? There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There's probably a third level, too-how I want to think I feel."

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Amber Hurdle

"What is inherent inside you is your uniqueness and peculiarity."

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Amber Hurdle

"She may have been among them but she could never be one of them. She was without inclusion for-as-much as she was not "one of the girls" and she wasn't "one of the guys." She was an outsider gazing in, endlessly comfortless, while they wished they had what it took to be less like the others and more like her."

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Amber Hurdle

"The image of God is in every human."

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Amber Hurdle

"When we speak, dress, and think like others, we live with the goal of achieving the approval they have."

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Amber Hurdle

"I'm not abnegation, I'm not dauntless, I am Divergent."

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Amber Hurdle

"There's a point, around the age of twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities."

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Amber Hurdle

"I feel like how you matter is defined by the things that matter to you. You matter as much as the things that matter to you do. And I got so backwards, trying to make myself matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do."

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Amber Hurdle

"Your original self is worth more than your imitation of someone else."

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Amber Hurdle

"We need to know who we are and then stand strong."

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Amber Hurdle

"Without accepting ourselves, we try to meet requirements of society and do everything to be accepted."

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Chuck Klosterman
"When you're writing for newspapers you have all these parameters. You can't swear, you have to use short paragraphs, all that. If you stay within those parameters, you have lots of freedom because you're writing for the next day."
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Chuck Klosterman
"The future is a teenage crackhead who makes shit up as he goes along."
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Chuck Klosterman
"It's hard for Americans to differentiate between talent and notoriety, TV confuses people."
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Chuck Klosterman
"The essays are very solipsistic and self-absorbed, I'm totally conscious of that. To me, book writing is fun, and I basically just write about things that are entertaining to myself."
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Chuck Klosterman
"I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it."
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Chuck Klosterman
"Art and love are the same thing: It's the process of seeing yourself in things that are not you."
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Chuck Klosterman
"It's natural to think of one's own life as a novel (or a movie or a play), and within that narrative we are always the central character. Thoughtful people try to overcome this compulsion, but they usually fail (in fact, trying makes it worse). In a commencement speech at Kenyon College, David Foster Wallace argued that conquering the preoccupation with self is pretty much the whole objective of being aliveS-Sbut if we are to believe Wallace succeeded at this goal, it must be the darkest success imaginable."
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Chuck Klosterman
"I wake up, I feel the inescapable oppression of the sunlight pouring through my bedroom window, and I am struck by the fact that I am alone. And that everyone is alone. And that everything I understood seven hours ago has already changed, and that I have to learn everything again."
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Chuck Klosterman
"I was fortunate that I was at newspapers for eight years, where I wrote at least five or six stories every week. You get used to interviewing lots of different people about a lot of different things. And they aren't things you know about until you do the story."
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Chuck Klosterman
"In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper."
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