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Jim Henson

"If anything, there's a difference in working with color in England and the color in the US."

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"If anything, there's a difference in working with color in England and the color in the US."

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Amber Hurdle

"You don't see a lot of difference between the Gin Blossoms and the Byrds."

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Amber Hurdle

"I know the difference between black magic and white magic."

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Amber Hurdle

"Briefly speaking, our conclusion is that stochastic volatility does not make a huge difference as far as the pricing is concerned if you get the average volatility right. It makes a big difference as far as hedging is concerned."

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Amber Hurdle

"When you're in front of the camera, for a small budget or a big budget movie, there's no difference."

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Amber Hurdle

"When I had my first voice lesson I was 15 years old. And I had a really good teacher. This is what made all the difference. A good teacher will teach you the technique, but also how to listen to your voice."

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Amber Hurdle

"One person can make a difference. In fact, it's not only possible for one person to make a difference, it's essential that one person makes a difference. And believe it or not, that person is you."

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Amber Hurdle

"It's easy to make a buck. It's a lot tougher to make a difference."

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Amber Hurdle

"All of us want to have meaning in our lives and want to feel like we're doing something that makes a difference. I believe we're doing that in the Justice Department."

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Amber Hurdle

"I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were."

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Amber Hurdle

"You don't think it was because a white man wrote it, a black man wrote it, a green man wrote it. What - doesn't make a difference! Doesn't make a difference. I think he did a good job."

Explore more quotes by Jim Henson

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Jim Henson
"Yeah, I think we did the term Muppets before we got the show Sam and Friends - a few months after I started working."
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Jim Henson
"Somebody like a Piggy or a Kermit, there needs to be several versions and so there will be several of them."
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Jim Henson
"Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one."
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Jim Henson
"But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - toward a reality of creatures that are actually alive and we're mixing up puppetry and all kinds of other techniques."
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Jim Henson
"When I was a kid, I never saw a puppet show. I never played with puppets or had any interest in them."
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Jim Henson
"I've never felt any sense of competition with anybody, and we're all friends; we're all good friends."
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Jim Henson
"No, there's not much competition between puppeteers in general because everybody's working their own style."
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Jim Henson
"It has always been difficult to get Big Bird to be very pretty. Big Bird in England is much more gorgeous."
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Jim Henson
"I was very interested in theatre, mostly in stage design. I did a little bit of acting."
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Jim Henson
"At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design."
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