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"It is not so for art in appreciation because art is concerned with human behavior. And science is concerned with the behavior of metal or energy. It depends on what the fashion is. Now today it's energy. It's the same soul behind it. The same soul, you see."
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"Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all."

"We often forget to draw a new picture because we are so busy criticizing other paintings."

"A beautiful poem is nothing but a mirror of philosophy through which we can see life's pure beauty."

"Poets create a beautiful blue sky where you can fly with wings of imagination and find yourself again and again."

"The object of art is to enhance the beauty, imaginations and joy of life."

"A picture may be worth a thousand words, but those well-arranged words are worth a multi-million-dollar motion picture."

"Literature tries to express the intricate inner beauties of life. Philosophy tries to explain the intricate inner beauties and conflicts of thoughts."
Explore more quotes by Josef Albers

"I was at the Royal Art School. That was a preparatory school specially for art teachers. You see, it was not so much for the development of artists. But we had there terribly stiff training."

"Apprentice is the beginner - the first years you work in a craft in the European sense you are an apprentice. That takes 3 or 4 years. Then you are a journeyman. You can go from one master to another and learn other tricks and other secrets."

"I went to the Academy and studied with Stuck who was then a big man. But didn't interest me. I didn't know that before me there was Kandinsky and Klee who had also studied with Stuck. He had a good name at that time."

"The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically."

"When we were in the seminary we got a stipend direct from the government and for that stipend we had an obligation to stick to our teaching job for five years."

"It was my family that wanted me to be a teacher. That was safe, you see. To be a painter was terrible."

"On the little money I had collected I lived in Berlin very cheaply, ate very cheaply. And already in 1920 I saved the first salaries I received to go to Munich."
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