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"I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed."
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"The role of a writer is not to say what we all can say, but what we are unable to say."

"Never to rush something I was creating, but instead let it come into being as if it had a soul of it's own."

"A poet is someone who never forgets they were born naked."

"For art to exist, for any sort of aesthetic activity or perception to exist, a certain physiological precondition is indispensable: intoxication."

"On the whole, stories don't write themselves."

"The first time I saw a mermaid in my dream, and she looked so real...THAT.'s fishy!!"

"Be an artist, in whatever little faculty possible.For the Earth, without 'Art' is just 'Eh"

"What doesn't kill me provides writing material."

"Let's pursue the visage of imagination."

"Imagination is the creative force that through necessity yields solutions to resolve the issues that face us."
Explore more quotes by Barbara Kruger

"I'm an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like."

"Prominence is cool, but when the delusion kicks in it can be a drag. Especially if you choose to surround yourself with friends and not acolytes."

"Direct address has been a consistent tactic in my work, regardless of the medium that I'm working in."

"All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It's scary."

"I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty."

"It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized."

"I'd always been a news junkie, always read lots of newspapers and watched the Sunday morning news shows on TV and felt strongly about issues of power, control, sexuality and race."

"What makes the production of my work so expensive? The whole installation thing - the construction, the objects, the technology. It really adds up."

"There's a moment of recognition. It's that white-light kind of stuff that just "works." I love that. And you know it when it happens, whether it's a movie, music, a building, a book."
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