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"The sizes and shapes of the panels have never been important to my stories. It has always been the words and images that drew me in, kind of like watching a movie."
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"No writer can be the 'Master of the Words' without loving them! Loving is the way for Mastering! No Love, no Master!"
"You've got to make an effort to get the details right, because even through someone picks it up and knows it's a novel, they know someone's made it up and they know it's not real, if you make a small mistake they will cease to imaginatively engage with the story."
"I decided to coin the term 'cosy crime noir' for Brighton Belle. That is 'cosy crime' for today's sensibilities because there is that slightly edgy element to it."
"What makes people tick? Life can be a trap of ennui, but imagery may be a redemptive escape from dullness. The iconic power and exuberance of images generate an inexorable addiction that needs to be gratified without respite. Here and now! ['Give me more images']"
"Authors always carry a means for scribbling and an excuse for pausing, often inopportunely, to record those fleeting sparks of creative fancy that might otherwise vanish like a wisp in the wind if ignored. Writing is a jealous and needy lover."
"Some people have a handful of ideas, but not enough time to realize them."
"I spent an hour looking at pots and carpets in the museums the other day, until the desire to describe them became like the desire for the lusts of the flesh."
"Do you know I get such a passion for reading sometimes its like the other passion -writing- only the wrong side of the carpet."
"Like" and "like" and "like"-but what is the thing that lies beneath the semblance of the thing?"
"As for my next book, I won't write it till it has grown heavy in my mind like a ripe pear; pendant, gravid, asking to be cut or it will fall."
Explore more quotes by Jaime Hernandez
"It's rare that I actually have a story in my head. I have events or 'what's the next move?' Like, Maggie, 'where's she going to go in this story, where's she going to end up?' Then the story has to fill in the in-between, and that comes as I'm starting it."
"Every time I copy something, I can draw it for the rest of my life. But research is so painful - I mean just opening up a magazine looking for a picture of a car or looking out the window looking for a car is just hard!"
"Comics as art. I do comics as comics, and my opportunity to tell stories. Simple. Basic. Let the characters have the excitement, not the package. That's where I come from."
"Half of me is very excited and the other half is 'Haven't we seen this stuff before?' But I'm very impressed. I almost couldn't picture it when it was being put together. I couldn't picture it being in my hand, what it would look like."
"To me, sex is sex and I don't think it is or should be a problem. Maybe my presenting it that way will unscrew up a few heads out there, including my own."
"The Tom Strong thing was totally for the money. I plan to get looser after I finish this Maggie saga."
"Every day I run into people who don't know what I do. And even after I explain it they still don't know what I do. So now I can just say, 'Pick up the Locas book!' And that tells them all."
"I leave a lot open so I can fill it in later. If I don't have any ideas right away, I can fill it in later."
"I used to always read my stuff. And I could never understand why artists would say, 'Oh, I can't read my older stuff.' I'd go, 'Are you crazy? I could read my stuff forever!' Now it's a little harder."
"The sizes and shapes of the panels have never been important to my stories. It has always been the words and images that drew me in, kind of like watching a movie."
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