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"Until then her view of time was the present moving forward and devouring the future; she either feared its swiftness (when she was awaiting something difficult) or rebelled at its slowness (when she was awaiting something fine). Now time has a very different look; it is no longer the conquering present capturing the future; it is the present conquered and captured and carried off by the past. She sees a young man disconnecting himself from her life and going away, forevermore out of her reach. Mesmerized, all she can do is watch this piece of her life move off; all she can do is watch it and suffer. She is experiencing a brand-new feeling called nostalgia."
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"Until then her view of time was the present moving forward and devouring the future; she either feared its swiftness (when she was awaiting something difficult) or rebelled at its slowness (when she was awaiting something fine). Now time has a very different look; it is no longer the conquering present capturing the future; it is the present conquered and captured and carried off by the past. She sees a young man disconnecting himself from her life and going away, forevermore out of her reach. Mesmerized, all she can do is watch this piece of her life move off; all she can do is watch it and suffer. She is experiencing a brand-new feeling called nostalgia."
"You wereand always will bethat first ever touchto have fertilizedthe groundbeneath my life's treesthat first ever roseto have fragrancedthe rest of my memories."
"The tears were back, stinging just behind my eyes. There was blood all over my penguins. I didn't give a damn about the walls and carpet. They could be replaced, but I'd collected those damned stuffed toys over years."
"Sentimentality is the only sentiment that rubs you the wrong way."
"Sentimentality - that's what we call the sentiment we don't share."
Explore more quotes by Milan Kundera
"She wants to have her notebooks so that the flimsy framework of events, as she has constructed them in her school notebook, will be provided with walls and become a house she can live in. Because if the tottering structure of her memories collapses like a clumsily pitched tent, all that Tamina will be left with is the present, that invisible point, that nothingness moving slowly toward death."
"The physical contact with people who struck and trampled and killed one another seemed far worse to him than a solitary death in the purity of the waters."
"It was the incommunicable scent of this country, its intangible essence, that she had brought along with her to France."
"The termites of reduction have always gnawed away at life: even the greatest love ends up as a skeleton of feeble memories."
"A worker may be the hammer's master, but the hammer still prevails. A tool knows exactly how it is meant to be handled, while the user of the tool can only have an approximate idea."
"Brod was a brilliant intellectual with exceptional energy; a generous man willing to do battle for others; his attachment to Kafka was warm and disinterested. The only problem was his artistic orientation: a man of ideas, he knew nothing of the passion for form; his novels (he wrote twenty of them) are sadly conventional; and above all: he understood nothing at all about modern art.Why, despite all this, was Kafka so fond of him? What about you-do you stop being fond of your best friend because he has a compulsion to write bad verse?"
"Revolution in Love'. Can you tell me what you mean by that? Do you want free love as against bourgeois marriage, or monogamy as against bourgeois promiscuity?"
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