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"It's the group sound that's important, even when you're playing a solo."
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"Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound."

"Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes."

"I think I have a basic sound aesthetic that is in most of what I do."

"It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings."

"When you hear a large symphony orchestra. for instance, in a concert hall, there's a big, sweeping sound that just doesn't get on to a record."

"I just want to do everything. I don't want to sound soppy or too cliched, but that's the way it is."

"Instead of following one another the sounds overlap; a sound which is acoustically perceived as coming after another one can be articulated simultaneously with the latter or even in part before it."

"What producers did was mostly recording in the studio, so it never changed our sound just that much."
Explore more quotes by Oscar Peterson

"Some people try to get very philosophical and cerebral about what they're trying to say with jazz. You don't need any prologues, you just play."

"We're not like pop musicians who have to perform the same top ten tunes every night of a tour."

"You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz."

"I believe in using the entire piano as a single instrument capable of expressing every possible musical idea."

"I don't do something because I think it will sell 30 million albums. I couldn't care less. If it sells one, it sells one."

"I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos."

"Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing."
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