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"The club is too loud to talk, so after a couple of drinks, everyone feels like the centre of attention but completely cut off from participating with anyone else. You're the corpse in an English murder mystery."
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"That's all YOU know,' said Digory. 'It's because you're a girl. Girls never want to know anything but gossip and rot about people getting engaged."
"I like it because when people use a lot of poker lingo, it usually means they've been playing the game for a while. Which is why I immediately avoid those people."
"The only way to become an eccentric is to end your relationship with extroverts."
"Because the pure girls get rescued." Mary Lou felt something she didn't let herself feel often. She was well and truly pissed off. "Why do girls have to be all pure and innocent and good? Why don't guys have to be?"
"No human being should be maltreated under any circumstances. We are all wonderful creation of God. May we affectionately love one another."
"When two men live together they usually maintain a kind of shabby neatness out of incipient rage at each other. Two men alone are constantly on the verge of fighting, and they know it."
"Sarcasm creates a chasm between yourself and others."
"It's a sort of furtiveness. Like we were a generation of furtive. You know, with an inner knowledge there's no use flaunting on that level, the level of the 'public', a kind of beatness I mean, being right down to it, to ourselves, because we all really know where we are " and a weariness with all the forms, all the conventions of the world It's something like that. So I guess you might say we're a beat generation."
"It's amazing how just dressing differently can affect your influence; dress like a beggar and your assumed poverty gains you looks of contempt; dress in gold-lined robes and people are more willing to accommodate you; sport armour and you look strong, dutiful, and prepared."
Explore more quotes by Chuck Palahniuk
"Personal identity seems like it's just such an American archetype, from Holly Golightly re-inventing herself in 'Breakfast At Tiffany's' to Jay Gatsby in 'The Great Gatsby.' It seems like the sort of archetypal American issue. If you're given the freedom to be anything, or be anyone, what do you do with it?"
"Of the big horror movies of the '70s, you have 'The Omen,' 'The Sentinel,' 'Rosemary's Baby,' 'The Stepford Wives,' 'Burnt Offerings' - these are all romantic fatalist movies where there's a sort of glimmer of hope... but darkness wins."
"People don't want their lives fixed. Nobody wants their problems solved. Their dramas. Their distractions. Their stories resolved. Their messed cleaned up. Because what would they have left? Just the big scary unknown."
"There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish.There is no free will. There are no variables."
"I was very invested in love but it was just this long sex thing that could end at any moment because after all, it's about getting off."
"Everybody looks a little crazy if you're looking close enough and if you can't look that close, then you don't really love them."
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