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"I think politics is deadly to write about, frankly. If you have a political agenda and you set out to write a novel to prove that, say, capitalism should crumble, then it's going to be a really bad novel. Very few people have been able to deal with political fiction - Dickens, Dostoyevsky. But even Tolstoy got really tiresome when he was talking about the serfs. You have to let characters be characters, not [gruff voice] Mr Capitalism or [girlie voice] Miss Anti-Fur."
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"Twofold misjudgement. - The misfortune suffered by clear-minded and easily understood writers is that they are taken for shallow and thus little effort is expended on reading them: and the good fortune that attends the obscure is that the reader toils at them and ascribes to them the pleasure he has in fact gained from his own zeal."

"You want to avoid at all costs drawing your characters on those that already exist in other works of fiction. You must learn about people from people, not from what you read. Your reading should confirm what you've observed in the world."

"As often I have been a science fiction writer writing science fiction for the community of science fiction readers, I am also, for good or ill, an American writing American literature to an American audience. Most fundamentally, though, I am a human being writing human literature to a human audience."

"Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists."

"Now, practically even better news than that of short assignments is the idea of shitty first drafts. All good writers write them."

"I'd be somewhat of a lousy writer if I didn't know what to say."

"A true piece of writing sets you free."
Explore more quotes by Donna Tartt


"We don't like to admit it, but the idea of losing control is one that fascinates controlled people such as ourselves more than almost anything. All truly civilized people " the ancients no less than us " have civilized themselves through the wilful repression of the old, animal self."


"Maybe good luck was like bad luck in that it took a while to sink in."


"And I'm hoping there's some larger truth about suffering here, or at least my understanding of it - although I've come to realize that the only truths that matter to me are the ones I don't, and can't, understand. What's mysterious, ambiguous, inexplicable. What doesn't fit into a story, what doesn't have a story. Glint of brightness on a barely-there chain. Patch of sunlight on a yellow wall. The loneliness that separates every living creature from every other living creature. Sorrow inseparable from joy."


"So I'm not a Southern writer in the commonly held sense of the term, like Faulkner or Eudora Welty, who took the South for their entire literary environment and subject matter."
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