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Marc Davis

"It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals."

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"It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals."

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Amber Hurdle

"But the detail of the poem shows power akin to genius, and reveals to us that much neglected law of literary history -- that potential genius can never become actual unless it finds or makes the Form which it requires."

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Amber Hurdle

"And what, you ask, does writing teach us? First and foremost, it reminds us that we are alive and that it is a gift and a privilege, not a right."

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"We are all artists, painting the world with our thoughts while coloring the universe with our deeds."

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Amber Hurdle

"Her words dance on the page."

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"When you're socially awkward, you're isolated more than usual, and when you're isolated more than usual, your creativity is less compromised by what has already been said and done. All your hope in life starts to depend on your craft, so you try to perfect it. One reason I stay isolated more than the average person is to keep my creativity as fierce as possible. Being the odd one out may have its temporary disadvantages, but more importantly, it has its permanent advantages."

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Amber Hurdle

"The most powerful creative state to bring your desires into reality is by bring the conscious and subconscious into unison then keeping your heart and mind in perfect sync."

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Amber Hurdle

"I think that all things, in their way, reflect heavenly truth, the imagination not least."

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Amber Hurdle

"Quantity produces quality. If you only write a few things, you're doomed."

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Amber Hurdle

"Fallen leaves on the ground are the golden song of immortal creativity."

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Amber Hurdle

"People who know how to creatively break the rules also know why the rules were there in the first place."

Explore more quotes by Marc Davis

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Marc Davis
"Throughout my career, when I was finished with the drawing for one film I would go up to the story department and help develop sequences. Sometimes these were for scenes that I would animate later on."
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Marc Davis
"Some of these sketches were done at the very beginning of the Pirates project, when I was trying to find a direction for myself. That was the early sixties... maybe 61 or 62."
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Marc Davis
"Disney had made such a great deal of money on Snow White that the banks gave him the go-ahead on the next three films. But he was heavily dependent on the foreign market."
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Marc Davis
"Yes, the first job I had at the studio was Snow White. I don't like the term particularly, but I got stuck with the human characters. They just didn't have that many people who could draw humans."
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Marc Davis
"Before I got through high school I had attended 22 different schools. In the time before I was well acquainted with the latest school, I would amuse myself by drawing and found that I was pretty good at it."
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Marc Davis
"I had some connections from the newspapers that I did work with up there, so there was a newspaper publisher in Hollywood, and they promised me work and so on."
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Marc Davis
"At that time, the people that were in the animated film business were mostly guys who were unsuccessful newspaper cartoonists. In other words, their ability to draw living things was practically nil."
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Marc Davis
"Later, my father died up in Marysville. So, my mother and I got in the car and came down to Hollywood."
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Marc Davis
"It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals."
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Marc Davis
"My father was something of a rainbow-chaser."
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