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"I am not a modern man, I am just a wee old fashioned one."
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"Opposition may become sweet to a man when he has christened it persecution."

"In the course of history, men come to see that iron necessity is neither iron nor necessary."

"A man in passion rides a horse that runs away with him."

"There is nothing so stupid as the educated man if you get him off the thing he was educated in."

"The dons of Oxford and Cambridge are too busy educating the young men to be able to teach them anything."

"In the last analysis, even the best man is evil: in the last analysis, even the best woman is bad."
Explore more quotes by Ian Hamilton Finlay


"For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not."


"I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time."


"No, I don't make my work in order to challenge or confuse other people's expectations - I only do what I find natural."


"People have always found me challenging - I don't know why, when I am only being myself. I don't understand why they find me so annoying but they do. It is pity, but that is how it is."


"If the work is pure then you have to think it could be understood. If it is not understood it doesn't mean that your work is not accessible. It doesn't worry me, but, of course, I would be pleased if people liked my work."


"But I can only write what the muse allows me to write. I cannot choose, I can only do what I am given, and I feel pleased when I feel close to concrete poetry - still."


"As a friendly one. I would still like to write concrete poems, but I can only do it sometimes."


"Well, probably I was fed up with concrete poetry. There was a lot of bad concrete poetry and besides, it was confused with visual poetry which was completely different."


"The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture."


"However, I don't feel the world is looking over my shoulder when I am working - I never think about this at all. What I think about is trying to make my work pure, and if it is pure then it can be accessible. It is quite straight forward really."
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