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Diana Gabaldon

"Oh, aye, Sassenach. I am your master . . . and you're mine. Seems I canna possess your soul without losing my own."

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"Oh, aye, Sassenach. I am your master . . . and you're mine. Seems I canna possess your soul without losing my own."

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Donna Grant

"Her eyes reversed into herself, to watch the secret heart of herself pounding itself into pieces against the side of her chest."

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"The love of a half dead heart will keep you half alive."

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Donna Grant

"A broken soul doesn't invest in boundaries because the world has crossed them, without mercy."

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"Like many people, I feel like celebrating. Remember this feeling. It is human, and can help us understand when others express bloodlust."

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"When I am with you, even the water makes me drank."

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Donna Grant

"I'm not up for laughing, but their laughter makes the room feel safer, so we begin to explore."

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Donna Grant

"It hurts deeper is when somebody you love becomes someone you loved."

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Donna Grant

"Ready am I to go, and my eagerness with sails full set awaits the wind.Only another breath will I breathe in this still air, only another loving look cast backward."

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Donna Grant

"Smiley tears and teary smiles are priceless."

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Donna Grant

"And then something invisible snapped insider her, and that which had come together commenced to fall apart."

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Explore more quotes by Diana Gabaldon

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Diana Gabaldon
"For a different woman, a different relationship, a different situation, gentleness might have been the proper, the only approach-but not for this woman, in these circumstances. The only thing that will cleanse Claire (and reassure her: look at what she says at the end of it. She feels safe again, having felt the power and violence in him) is violence. And-the most important point here-Jamie pays attention to what she wants, rather than proceeding with his own notion of how it should be, even though it's a sensible notion and the one most people would have."

Relationship

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Diana Gabaldon
"Soldiers manage by dividing themselves. They're one man in the killing, another at home, and the man that dandles his bairn on his knee has nothing to do wi' the man who crushed his enemy's throat with his boot, so he tells himself, sometimes successfully."

Society

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Diana Gabaldon
"Just as an effective advertisement or page layout includes a lot of white space, a powerful scene requires immense restraint. Show things as simply as possible."

Art

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Diana Gabaldon
"Time does not really exist for mothers, with regard to their children. It does not matter greatly how old the child is-in the blink of an eye, a mother can see the child again as they were when they were born, when they learned how to walk, as they were at any age-at any time, even when the child is fully grown or a parent themselves."

Motherhood

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Diana Gabaldon
"Overall, the library held a hushed exultation, as though the cherished volumes were all singing soundlessly within their covers."

Learning

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Diana Gabaldon
"It's the anonymity of the war that makes the killing possible. When the nameless dead are named again on tombstone and on cenotaph, then they regain the identity they lost as soldiers, and take their place in grief and memory, the ghosts of sons and lovers."

History

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Diana Gabaldon
"For the moment, everything had disappeared: the church, the battle, the screams and shouts and the rumble of limber wheels along the rutted road through Freehold. There wasn't anything but her and him, and he opened his eyes to look on her face, to fix it in his mind forever."

Presence

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Diana Gabaldon
"No matter how ugly the manner in which a man dies, it's only the presence of a suffering human soul that is horrifying, once gone, what is left is only an object."

Life

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Diana Gabaldon
"Nay, he needs a woman, not a girl. And Laoghaire will be a girl when she's fifty."

Relationship

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Diana Gabaldon
"One dictum I had learned on the battlefields of France in a far distant war: You cannot save the world, but you might save the man in front of you, if you work fast enough."

Ethics

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