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"Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems - but as you approach the present, it inevitably seems more and more incredible."
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"If the journey to success and happiness was hundred miles, some people would calculate it by meters and get discouraged by the numbers they come up with."
"To 'see both sides' of a problem is the surest way to prevent its complete solution. Because there are always more than two sides."
"You are looking at the world from your window, that's good, but there is something missing here, something very big: You must also look at your window from the world to see yourself!"
"The past is far behind. If you still want to look at it, you will painfully stretch your neck muscles. Don't live in the past, leave the past, but learn from it."
"This earth in which we are living is not our everlasting home."
"Life is never a competition."
"Your perspective changes relative to the frame through which you see things."
"Don't predict the condition of the entire day by the state of the morning. You don't judge a book by its cover. A cloudy morning is no guarantee for a rainy day!"
"Prayer has to be fervent, intensive, passionate and from the heart."
"If we start to complain, destruction is right at our door."
Explore more quotes by Salman Rushdie
"Literature is where I go to explore the highest and lowest places in human society and in the human spirit, where I hope to find not absolute truth but the truth of the tale, of the imagination, and of the heart."
"Running along the bank was a white rabbit wearing a waistcoat and looking worriedly at a clock. Appearing and disappearing at various points on both banks was a dark blue British police telephone booth, out of which a perplexed-looking man holding a screwdriver would periodically emerge. A group of dwarf bandits could be seen disappearing into a hole in the sky. "Time travelers," said Nobodaddy in a voice of gentle disgust. "They're everywhere these days."
"Fury...sexual, Oedipal, political, magical, brutal....drives us to our finest heights and coarsest depths."
"As a writer, one of the things we all learned from the movies was a kind of compression that didn't exist before people were used to watching films. For instance, if you wanted to write a flashback in a novel, you once had to really contextualize it a lot, to set it up. Now, readers know exactly what you're doing. Close-ups, too."
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