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Janice Dickinson

"I got a book deal without even turning in one shred of a writing sample."

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"I got a book deal without even turning in one shred of a writing sample."

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Amber Hurdle

"A writer out of loneliness is trying to communicate like a distant star sending signals. He isn't telling, or teaching, or ordering. Rather, he seeks to establish a relationship with meaning, of feeling, of observing. We are lonesome animals. We spend all our live trying to be less lonesome. And one of our ancient methods is to tell a story, begging the listener to say, and to feel, "Yes, that's the way it is, or at least that's the way I feel it. You're not as alone as you thought." To finish is sadness to a writer, a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done."

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Amber Hurdle

"If you can't think of what to write, tough luck; write anyway. If you can think of lots more when you've finished the three pages, don't write it; it'll be that much easier to get going next day."

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Amber Hurdle

"Certainly the plagiarism, and dealing with the fallout of it, was the most difficult thing I've ever faced since I started writing."

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Amber Hurdle

"In the summer of '80, Silhouette bought my first book."

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Amber Hurdle

"Every author believes, when his first book is published, that those that acclaim it are his personal friends or impersonal peers, while its revilers can only be envious rogues and nonentities."

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Amber Hurdle

"Bad writing is more than a matter of shit syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do- to face the fact, let us say, that murderers sometimes help old ladies cross the street."

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Amber Hurdle

"T[he rules of writing] require that the personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others."

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Amber Hurdle

"I believe the first draft of a book - even a long one - should take no more than three months. Any longer and - for me, at least - the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity."

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Amber Hurdle

"Some people write letters, in the library."

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Amber Hurdle

"In the middle section of the book Mirabelle breaks into not one, but two houses near Belgravia Books. I had fun scoping these out - checking which windows looked least secure and figuring out how to scale the mews houses to the rear to get her inside. A man came out at one point, 'What are you doing?' he questioned me. 'The thing is, I'm writing a book,' I started with a smile. He waved me off, his hand as wide as a tennis racket. 'Everyone is writing a book, my dear,' he said. Between you and I, it's his house that MIrabelle ends up breaking into."

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Janice Dickinson
"But you see, that's the gilded prison of fashion. We're riding in private jets, and meantime I was so incredibly, painfully sad and lonely."
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Janice Dickinson
"Mothers don't let your daughters grow up to be models unless you're present."
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Janice Dickinson
"As the saying goes, I want to be the best-looking corpse there is."
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Janice Dickinson
"In my day, I, being the first supermodel, I hawked everything."
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Janice Dickinson
"Money is like hormones. It's just how you feel on any given day."
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Janice Dickinson
"I find the light and work it, work it, work it."
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Janice Dickinson
"I was shaped by my mistakes."
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Janice Dickinson
"I grew up in an abusive home and was told on a daily basis by my father that I would never amount to anything and that I looked like a boy."
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Janice Dickinson
"Every six months I fly to Dallas to get botox and I also get collagen injections."
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Janice Dickinson
"My first job was for a blue jean company as a sitting model. I posed for 15 minutes and made $50. It was 1976."
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