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Exlpore more Film quotes
"I didn't watch much TV as a kid and I don' t watch it now. I don' t find anything beautiful or unique to the medium, and the only thing you can do on TV that you can't do in film is make a continuing story - which is so cool!"
"In this movie they took them up in space. They're floating around and doing zero gravity stuff. Well, they had to do it all on wires. All the wires had to be painted black against this black background. If you didn't light it properly you could see the wires. Drove them crazy!"
"Altman was told they wouldn't do the film with me. He could easily have abandoned me, but he stood by me and really bailed me out."
Film,
"I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do."
Film,
"When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it."
Film,
"On the contrary, I'm a strong believer in the necessity of imperfection coming into the film."
"I had lived in Fukuoka during the mid 1990s, and I was a volunteer with the Fukuoka Asian Film Festival."
Film,
Explore more quotes by John Schlesinger
"Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety."
"We taped all this and then got it transcribed and picked the best lines or ideas or ways to take a scene. I've done that many times, and it can improve the script but also wreck a perfectly good scene."
"I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise."
"Oh, the relationship with actors and managers and agents and things is a terrible problem sometimes."
"There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson."
"I have a feeling he felt Jon Voight had run away with the film, which he didn't, though he was brilliant in it, in a much less easy part. I just don't know what had got into him, but something had."
"No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen."
"Still, the film nearly didn't happen a number of times. There were great arguments with United Artists about how to reduce the cost because they were nothing if not conscious of the price of the film."
"That attitude toward women as objects may have worked for the late Sixties, but it doesn't do so now."
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