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Andy Goldsworthy

"I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work."

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"I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work."

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A.E. Samaan

"That most limited of all specialists, the "well-rounded man"."

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A.E. Samaan

"The world system is employment."

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A.E. Samaan

"Police officers are poorly paid for a very stressful job that has them in very high powered radio frequency (RF) fields and in a daily environment that may result in them being assaulted, maimed or killed."

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A.E. Samaan

"A butler supplies food to nourish your body, but a writer nourishes your mind through writing."

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"Do not be weary to make money."

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A.E. Samaan

"My favourite all-time work of fiction: Lord of the Rings. My favourite all-time nonfiction book: Guns, Germs, and Steel. Ask me again next week, you'll get a different answer."

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A.E. Samaan

"Employers are at their happiest on Mondays. Employees are at their happiest on Fridays."

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A.E. Samaan

"Work was intended not to give a man a reason to live, but rather to give him a means to live."

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A.E. Samaan

"Next to us is not the workman whom we have hired, with whom we love so well to talk, but the workman whose work we are."

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A.E. Samaan

"Be robust enough to work more than a robot!"

Explore more quotes by Andy Goldsworthy

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Andy Goldsworthy
"Confrontation is something that I accept as part of the project though not its purpose."
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Andy Goldsworthy
"Some of the snowballs have a kind of animal energy. Not just because of the materials inside them, but in the way that they appear caged, captured."
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Andy Goldsworthy
"Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer."
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Andy Goldsworthy
"I did tests on small stones before collecting and committing myself to the larger ones."
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Andy Goldsworthy
"Winter makes a bridge between one year and another and, in this case, one century and the next."
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Andy Goldsworthy
"The first stone was just tried in the spirit of experimentation. The opening of the stone was far more interesting than the drawing that I had done on it."
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Andy Goldsworthy
"I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames."
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Andy Goldsworthy
"The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violence that is in stone. A tear is more unnerving than a break."
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Andy Goldsworthy
"I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work."
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Andy Goldsworthy
"The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it."
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