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Andy Goldsworthy

"I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work."

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"I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work."

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Amber Hurdle

"The job description, like most, used complicated words that made job-hopefuls hesitant to apply because it may be out of their range of capability."

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Amber Hurdle

"We are so used to working that not working is the new hard work."

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Amber Hurdle

"I didn't want to give up my job and join the ranks of the Doing Fuck All brigade no matter how much money I had in the bank."

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Amber Hurdle

"Wherever you work, work hard and educate yourself continuously. You must never forget social welfare, ethics and honesty. However, there is no guarantee for your career progression. Therefore, don't expect that only the best people will be promoted."

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Amber Hurdle

"And yet, troublingly, there is one difference between 'labour' and other elements [raw materials, machinery] which conventional economics does not have a means to represent, or give weight to, but which is nevertheless unavoidably present in the world: the fact that labour feels pain."

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Amber Hurdle

"A salary is a tax employers pay, every four weeks, for putting an employee's dream on hold."

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Amber Hurdle

"Read the Bible. Work hard and honestly. And don't complain."

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Amber Hurdle

"Work is a vehicle with which man chases some fleeting destination called a full tummy."

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Amber Hurdle

"Police officers are poorly paid for a very stressful job that has them in very high powered radio frequency (RF) fields and in a daily environment that may result in them being assaulted, maimed or killed."

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Amber Hurdle

"To some women, a job plays the role of a man. To most women, a man plays the role of a job."

Explore more quotes by Andy Goldsworthy

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Andy Goldsworthy
"A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for feelings and ideas that function on many levels."
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Andy Goldsworthy
"The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violence that is in stone. A tear is more unnerving than a break."
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Andy Goldsworthy
"I have walked around the same streets so many times, and then seen a place that had been hidden to me. I now know the sites in a way that makes me think I could have made better use of the connections between place and snowball."
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Andy Goldsworthy
"I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another."
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Andy Goldsworthy
"The first stone was just tried in the spirit of experimentation. The opening of the stone was far more interesting than the drawing that I had done on it."
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Andy Goldsworthy
"I did tests on small stones before collecting and committing myself to the larger ones."
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Andy Goldsworthy
"Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures."
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Andy Goldsworthy
"The first snowball I froze was put in my mother's deep freeze when I was in my early 20s."
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Andy Goldsworthy
"Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far."
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Andy Goldsworthy
"The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it."
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