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"My instinct was that it was Sidney's childhood in the Bahamas that gave him the fearlessness to fight racism. So this documentary was a kind of rounding out of what had begun in that scene in In the Heat of the Night."
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"My father... removed from Kentucky to... Indiana, in my eighth year... It was a wild region, with many bears and other wild animals still in the woods. There I grew up... Of course when I came of age, I did not know much. Still somehow, I could read, write, and cipher... but that was all."
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Personal Development

"There's an inexplicable joy that exists on a brown child's face and in the way they navigate their world long before they discover they're hated."
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"We may deny the truth of our childhoods while we are living them, but we one day realize the truth of our parents as readily as we do that of Santa. Neither are as perfect as our memories would have them."
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"The Babies we were are buried, and their shadows are plodding on."
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"I was always mortified.Didn't they know they were tying thier mothers to the ground? Weren't chains ashamed of their prisoners?"
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Personal Development

"Make no mistake. I take these children seriously. It is not possible to see too much in them, to overindulge your causal gift for the study of character. It is all there, in full force, charged waves of identity and being. There are no amateurs in the world of children."
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"Luis is right there. I point to the corner of the yard, where my little brother is the centre of attention doing imitations of barnyard animals. I have yet to inform him that talent isn't as much of a chick magnet when you get into junior high."
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"A child has an ingrained fancy for coal, not for the gross materialistic reason that it builds up fires by which we cook and are warmed, but for the infinitely nobler and more abstract reason that it blacks his fingers."
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"Children played at those stories, they dreamed about them. They took them to heart and acted as if to live inside them."
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"I was thinking as small children think, as if my thoughts or wishes had the power to reverse the narrative, change the outcome."
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"My instinct was that it was Sidney's childhood in the Bahamas that gave him the fearlessness to fight racism. So this documentary was a kind of rounding out of what had begun in that scene in In the Heat of the Night."
Childhood

"It's a very good feeling to be around a man who thinks women are juicy."
Woman

"What goes on between a father and a son, which is usually such a private matter, is that they are able to be honest with each other, and be honest with me, as a director. It's just remarkable."
Father

"You don't need a love scene to show love."
Love

"Kirk is a man, and he loves it. He loves women."
Woman

"When I became a director, I wanted to convince a very reluctant Sidney into allowing me to go on the journey of his life. Sidney had gone ahead of every other African American actor."
Life

"People break down after a couple of hours. All the defenses go down, and there's a kind of communication that if I spent 20 years in a living room with one of these people, I would never, never know as much about them as I do in that one day."
People

"A lot of very, very big stars were going down and not being seen or heard from again. Kirk took a huge chance in putting a blacklisted writer's name on the screen and somehow or other, he survived it, like he survives everything."
Being

"I did my very first film with Kirk in Detective Story when he was the greatest, greatest star in the world. I fell in love with him, had a crush on him then."
Love

"Every actor in the room honored Sidney for being there so many years before. And everybody was so moved to be at a place where history was being made again. It was tangible."
History
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