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Exlpore more Reflection quotes
"He who falls in love with himself will have no rivals."
"I don't know how long I kept at it...I felt reasonably safe, streched out on the floor, and lay quite still.It didn't seem to be summer any more."
"What fabrications they are, mothers. Scarecrows, wax dolls for us to stick pins into, crude diagrams. We deny them an existence of their own, we make them up to suit ourselves - our own hungers, our own wishes, our own deficiencies."
"Nevertheless, it is even harder for the average ape to believe that he has descended from man."
"Time: old cold time, old sorrow, settling down in layers like silt in a pond."
"What stays with you longest and deepest? Of curious panics, of hard-fought engagements or sieges tremendous what deepest remains?"
"[There's a] point where you have to leave the dough alone. It's silly to anthropomorphize bread, but I love the fact that it needs to sit quietly, to retreat from touch and noise and drama, in order to evolve. I have to admit, I often feel that way myself."
"What would you do if you only had one day left in this world? Spend it with the people you love? Travel to the far corners of the earth to see as many wonders as possible? Eat nothing but chocolate? Would you apologize for all your mistakes? Would you stand up to those you'd never had the courage to face? Would you tell your secret crush that you loved him or her? Why is it that we wait till the last minute to do the things we should be doing all along?"
"Study the assumptions behind your actions. Then study the assumptions behind your assumptions."
"My lines all curve. I tend to connect the wrong dots."
Explore more quotes by Anais Nin
"We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it... We write to expand our world when we feel strangled, or constricted, or lonely."
"And the time came when the risk to remain tight in a bud was more painful than the risk it took to blossom."
"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."
"Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born."
"Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives."
"I am a woman first of all. At the core of my work was a journal written for the father I lost, loved and wanted to keep. I am personal. I am essentially human, not intellectual. I do not understand abstract act. Only art born of love, passion, pain."
"The magic beauty of simultaneity, to see the loved one rushing toward you at the same moment you are rushing toward him, the magic power of meeting, exactly at midnight to achieve union, the illusion of one common rhythm achieved by overcoming obstacles, deserting friends, breaking other bonds - all this was soon dissolved by his laziness, by his habit of missing every moment, of never keeping his word, of living perversely in a state of chaos, of swimming more naturally in a sea of failed intentions, broken promises, and aborted wishes."
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