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"And I sense it was a rather constructed, almost half narrative fiction film in some ways. A lot of it was staged and manipulated to get those things in there that I knew to be strong."
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"Villainessa Tittel was a hired killer, an assassin by trade. She had enjoyed the best education and had been trained by assassins who had (until then at least) been considered the best in the business. She had turned to 'cleaning' as an occupation because she really enjoyed endings more than beginnings " and anyway, she didn't need to know her mark's entire pedigree or life's story, or to have some kind of facetious moral justification just to collect her fee. Unsurprisingly, when she did read " on those rare occasions " her books were always dog-eared from the back."

"Fiction is experimentation; when it ceases to be that, it ceases to be fiction."

"I got nice rejections explaining that historical fiction was a difficult sell. But I kept trying."

"Ripley is married. And he's not lost. He has his feet on the ground."

"But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel...it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended."

"In camp was found a book, the first of the kind I had ever seen, in which I was made a great hero, slaying Indians by the hundreds."
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"Whereas my producer literally worked on this thing for 10 years and because I gave that presenter credit to David Lynch, she to this day never gets credit. It really kills me."


"It makes it difficult to decide which to go see, since no film about say, some tragic genocide in Africa is going to get a bad review even if it's poorly made."


"So I told Robert from the start that if we couldn't get Charles and Max to take part, but especially Charles, that I didn't want to make the film. So would he call his mother and talk to Charles and see if Charles would at all be interested."


"Well, that was certainly - to me, until we could film in Charles' room, I didn't even want to bother filming anything else. And in fact, I did hold off and that was the first thing we filmed."


"I hope they get something of interest out of it, but I'd rather they all hate it and I like it, instead of vice versa... I make films to please myself first, and if the audience likes them, all the better."


"Because I found myself telling the story of his family to people without the visual aids that I was able to employ by filming them eventually. But I very much knew exactly what I was going to do."


"I was inspired to do anything I could to get out of what I was doing... today, I'm motivated to pay the bills."


"Luckily, he was in the process of moving to France at the time, anyway. But if he had stayed in the States, I don't know how he would have handled that, because it was getting pretty crazy. I mean, a celebrity which he really did not welcome. And I can't blame him."


"I think the other misconceptions when the film came out, he was very upset that it was so widely released and so widely seen. And neither one of us - well, I think I had hopes it would be, 'cause I really did think it was something special."


"That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think it'd be worth it to not be so strictly cost-effective and have an 8 hour day. The film's would benefit in the end."
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