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Archie Shepp

"You get a show where people are jumping up and dancing, but it's not a critical event in the sense of profound catharsis. Essentially it's celebratory."

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"You get a show where people are jumping up and dancing, but it's not a critical event in the sense of profound catharsis. Essentially it's celebratory."

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Amber Hurdle

"People don't want their lives fixed. Nobody wants their problems solved. Their dramas. Their distractions. Their stories resolved. Their messed cleaned up. Because what would they have left? Just the big scary unknown."

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Amber Hurdle

"People used what they called a telephone because they hated being close together and they were scared of being alone."

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Amber Hurdle

"Still and all, why bother? Here's my answer. Many people need desperately to receive this message: I feel and think much as you do, care about many of the things you care about, although most people do not care about them. You are not alone."

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Amber Hurdle

"People who see beauty all around them live in a beautiful world. People who see danger all around them live in a dangerous world."

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Amber Hurdle

"Colleges are like old-age homes, except for the fact that more people die in colleges."

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Amber Hurdle

"People can put their best poems straight onto the web."

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Amber Hurdle

"Now I don't know half of the young people in the industry. It's too spread out, too diffuse."

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Amber Hurdle

"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."

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Amber Hurdle

"I was put off by people at school - my cabbage wasn't as good as other people's, you know, so that put me off."

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Amber Hurdle

"Luckily, West End audiences seem to rather like very old people."

Explore more quotes by Archie Shepp

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Archie Shepp
"I find that here in the States, audiences are generally less knowledgeable, from the cognitive point of view, though they are emotionally more receptive."
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Archie Shepp
"A whole generation of young whites have involved themselves with traditional Negro music."
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Archie Shepp
"In America, for a brief time, people who followed Coltrane were studied and considered important, but it didn't last long. The result is that the kind of music I played in the '60's is completely dismissed in this country as a wrong turn, a suicidal effort."
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Archie Shepp
"Negro music and culture are intrinsically improvisational, existential. Nothing is sacred. After a decade, a musical idea, no matter how innovative, is threatened."
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Archie Shepp
"In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous."
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Archie Shepp
"So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody."
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Archie Shepp
"Yes, the audience is so important to Negro music, especially the element of call and response."
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Archie Shepp
"Black music has become a commercial commodity. Live performances are not so accessible as they were previously. It use to be possible to go to the bar on the corner and hear music. It was available for a fifteen cent beer."
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Archie Shepp
"So, I was just a young guy, maybe with an idea, and Cecil Taylor, himself a rebel, would take a chance on a guy like me. It turned out to be a very symbiotic partnership. I learned a lot from him."
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Archie Shepp
"It was a particularly interesting and exciting time, and the European political and artistic establishment was turned on by the Civil Rights Movement and the artistic revolution that was becoming a part of jazz."
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