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Rod Steiger

"I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know."

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"I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know."

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Amber Hurdle

"Do not waste your time on Social Questions. What is the matter with the poor is Poverty; what is the matter with the rich is Uselessness."

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Amber Hurdle

"Time is standing still. We are measuring ourselves by how far we are going."

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Amber Hurdle

"Life has become the future. Every moment of your life is lived for the future."

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Amber Hurdle

"Forever, time is standing still. We are flying away with the wings of desire we call life."

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Amber Hurdle

"Life is defined by time and seasons."

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Amber Hurdle

"If you want to know the value of a minute ask the person who came to the train station or airport a minute late."

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Amber Hurdle

"Past, I am letting you go. Future, I will see you tomorrow. Present, I love you, live in you, celebrate you, and will never let you go."

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Amber Hurdle

"The time at our disposal each day is elastic; the passions we feel dilate it, those that inspire us shrink it, and habit fills it."

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Amber Hurdle

"A realization that even if you had discovered the future, it really didn't change how you lived in the present. They were truth, but they weren't all the truth."

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Amber Hurdle

"You can never live in the past. You always live in the tiny gap between the present and the future."

Explore more quotes by Rod Steiger

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Rod Steiger
"I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear."
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Rod Steiger
"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better."
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Rod Steiger
"That's not a villain, that's a man whose a victim of being in love with the wrong one."
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Rod Steiger
"I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something."
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Rod Steiger
"I said 'well, I'll kiss her twice, you see? We'll come around, I'll kiss her, and if you put a little more track down for the camera, then I'll put my tongue down her throat and you'll get what you want'. He said 'You think so?'"
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Rod Steiger
"Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of."
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Rod Steiger
"Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting."
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Rod Steiger
"Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself."
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Rod Steiger
"And the reason I really appreciated this is because after the picture came out, I was invited by the American Psychiatric Association to give a lecture. I couldn't believe it!"
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Rod Steiger
"He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then."
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