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Robert A. Heinlein

"Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist--a master--and that is what Auguste Rodin was--can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body."

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"Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist--a master--and that is what Auguste Rodin was--can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body."

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Amber Hurdle

"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

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Amber Hurdle

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

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Amber Hurdle

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

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Amber Hurdle

"Let music ignite your vivid inner colors and bring you harmony inside and out."

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Amber Hurdle

"I have always noticed that in portraits of really great writers the mouth is always firmly closed."

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Amber Hurdle

"Rules and models destroy genius and art."

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Amber Hurdle

"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."

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Amber Hurdle

"The essence of art is that its one case applies to thousands,' knew Schopenhauer."

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Amber Hurdle

"Because the world has gone nutty and art always paints the spirit of its times."

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Robert A. Heinlein
"Because the world has gone nutty and art always paints the spirit of its times."
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"That God is in truth the sort of bloodthirsty paranoid Who would rend to bits forty-two children for the crime of sassing one of his priests. Don't ask me about the Front Office's policies, I just work here."
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Robert A. Heinlein
"The Bible is such a gargantuan collection of conflicting values that anyone can "prove" anything from it."
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"I waited. Women talk when they want to. Or don't."
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"Sex, whatever else it is, is an athletic skill. The more you practice, the more you can, the more you want to, the more you enjoy it, the less it tires you."
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"Sex should be friendly. Otherwise stick to mechanical toys, it's more sanitary."
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Robert A. Heinlein
"The greatest danger to man in space was man himself."
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"Never try to out-stubborn a cat."
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Robert A. Heinlein
"As for logic and internal consistency, these mundane rules do not apply to sacred writings and never have..."
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Robert A. Heinlein
"Don't explain computers to laymen. Simpler to explain sex to a virgin."
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