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"You shout because it makes you brave or you want to announce your recklessness."
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"Sometimes, despite how your heart feels, you have to do what you must in order to get the result you need. When it's impossible to walk away then you need to make it hurt and they will walk away for you."

"What are you going to do? Are you going to live in the dark, locked in here? Afraid to look out, answer the door, leave? Yes, he's out there, and he's clearly not going to leave you alone until one of three things happens: he hurts you and gets arrested, or he makes a mistake and gets arrested, or you stop him."

"I stare at him. "You can't risk not winning. Not because of me." Sean doesn't lift his eyes from the counter. "We make our move when you make yours. You on the inside, me on the outside. Corr can come from the middle of the pack; he's done it before. It's one side you won't have to worry about." I say, "I will not be your weakness, Sean Kendrick." Now he looks at me. He says, very softly, "It's late for that, Puck."
Explore more quotes by Don DeLillo

"No sense of the irony of human experience, that we are the highest form of life on earth, and yet ineffably sad because we know what no other animal knows, that we must die."

"A photograph is a universe of dots. The grain, the halide, the little silver things clumped in the emulsion. Once you get inside a dot, you gain access to hidden information, you slide into the smallest event. This is what technology does. It peels back the shadows and redeems the dazed and rumbling past. It makes reality come true."

"I'd never felt more human than I did when my mother lay in bed, dying. This was not the frailty of a man who is said to be 'only human,' subject to a weakness or a vulnerability. This was a wave of sadness and loss that made me understand that I was a man expanded by grief."

"If you could stretch a given minute, what would you find between its unstuck components? Probably some kind of astral madness. A bleak comprehension of the final size of things."

"All plots tend to move deathward. This is the nature of plots. Political plots, terrorist plots, lovers' plots, narrative plots, plots that are part of children's games. We edge nearer death every time we plot. It is like a contract that all must sign, the plotters as well as those who are the targets of the plot."

"How language is webbed in the senses. Out of sand-blazed brilliance into quirky minds such as his, into touch, taste and fragrance. He thought he'd linger just a bit longer, let the bath take total hold, ease and alleviate, before he put on clothes and entered the complex boxes where people do their living.Nothing fits the body so well as water."
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