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"If I loved all the world as I do you, I shouldn't write books to it: I should only write letters to it, and that would be only a clumsy stage on the way to entire telepathy."
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"A big leather-bound volume makes an ideal razorstrap. A thing book is useful to stick under a table with a broken caster to steady it. A large, flat atlas can be used to cover a window with a broken pane. And a thick, old-fashioned heavy book with a clasp is the finest thing in the world to throw at a noisy cat."
"Always in my books, I like to throw that rogue element into a stable situation and then see what happens."
"Books that you carry to the fire, and hold readily in your hand, are most useful after all."
"Books can not be killed by fire. People die, but books never die. No man and no force can abolish memory... In this war, we know, books are weapons. And it is a part of your dedication always to make them weapons for man's freedom."
Explore more quotes by Laurence Housman
"I had never thought of myself as a dramatist, and, for really good technical results, the thought came too late: a man of letters has become too wordy to write economically for the stage."
"I have always been a writer of letters, and of long ones; so, when I first thought of writing a book in the form of letters, I knew that I could do it quickly and easily."
"My brother used to say that I wrote faster than he could read. He wrote two books - of poems - better than all mine put together."
"On that other novels followed: but I still wrote fairy tales and dreamy poems of another world."
"Suicide is possible, but not probable; hanging, I trust, is even more unlikely; for I hope that, by the time I die, my countrymen will have become civilised enough to abolish capital punishment."
"But it has also enabled me to find my feet as a lecturer and a reader of my own plays to audiences who like to hear them; and that experience of immediate appreciation gives greater pleasure and more stimulus towards further activity than even the most laudatory of reviews."
"The modern form of things had begun to appeal to me, also (as material for satire) politics, and the lives of the great and little, high up in the social scale."
"It was then, I think, that I discovered that the best way of bringing a medieval subject home to my generation was not to be medieval in its treatment."
"My failure, during the first five or six years of my art training, to get set in the right direction, and the disappointment which it caused me, drove me the more persistently into writing as an alternative."
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