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Bruce Beresford

"There were movies that always made me want to be a director. You see brilliant scenes and the way the emotions were handled. I thought, I'd really like to do that."

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"There were movies that always made me want to be a director. You see brilliant scenes and the way the emotions were handled. I thought, I'd really like to do that."

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Amber Hurdle

"I suppose we all loved those kind of sci-fi movies where terrible things came out of swamps and came to Mars. And there's usually some poor girl. All the guys are trying to desperately handle levers and saying, go to something or other."

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Amber Hurdle

"That's the other thing about working on movies, the commitment is years. That's one thing that's so frustrating about the process is that it goes on and on and on for years."

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Amber Hurdle

"When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way."

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Amber Hurdle

"I was always attracted to science fiction movies."

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Amber Hurdle

"My wife says that stage acting is like being on a tightrope with no net, and being in the movies, there is a net - because you stop and go over it again. It's very technical and mechanical. On stage you're on your own."

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Amber Hurdle

"I have a record company starting. It's called Flesh Records and I'm putting together music for porno movies."

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Amber Hurdle

"I did plays and movies and whatever all over the place."

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Amber Hurdle

"I don't watch the movies I make, so I haven't seen 'Footloose' since it came out. You see this young, hungry actor, it's pretty fun. I was the only one they screen tested. It was an attempt by the director and producer to talk the head of the studio into hiring me because they didn't want me."

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Amber Hurdle

"I'll be honest with you. My kids don't watch my movies and never have. I can maybe name a film one hand that they've seen, actually, all the way through."

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Amber Hurdle

"I never go overbudget on my movies."

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Bruce Beresford
"When we were trying to get the money for Driving Miss Daisy, everyone kept saying no one could direct it well enough to entertain an audience for 100 minutes essentially watching three people chatting in the kitchen."
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Bruce Beresford
"On stage, the audience watches from a fixed viewpoint and the director cannot retake something he doesn't like. It has to work straight through."
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Bruce Beresford
"In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, the sets, stage groupings, the music-but doesn't relate too much to film."
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Bruce Beresford
"Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico."
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Bruce Beresford
"In my view, the operas of Carlisle Floyd will find a place in the permanent repertoire."
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Bruce Beresford
"With Cold Sassy Tree having its first production, I saw no necessity to do anything other than produce it with the correct setting."
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Bruce Beresford
"In Australia, they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films."
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Bruce Beresford
"Film is shot in fragments, and the same moments can be shot again and again until the director is satisfied."
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Bruce Beresford
"The music of the most popular operas is so highly esteemed, it can stand endless revivals."
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Bruce Beresford
"With a film, I do my best to understand the author's intentions and try to bring the characters to life."
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