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Norman McLaren

"I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film."

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"I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film."

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"I don't want to finish reading the book."

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"I am very grateful for all the opportunities life has given me."

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"Life is your greatest asset."

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"Even if you cover the whole world with darkness, you can never stop the sun from rising."

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"My mission in life is to be kind, compassionate, caring, sharing and loving in order to feel the deepest joy of life."

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"Our life is a one way journey, we can never go back."

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"The spirit of life, the spirit of peace."

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"If have nothing but life, I have everything."

Explore more quotes by Norman McLaren

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Norman McLaren
"In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film that is not like a previous film."
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Norman McLaren
"I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film."
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Norman McLaren
"Unless it's done superbly, as in the Japanese film Gate of Hell, color can be a very distracting element."
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Norman McLaren
"But it has, in addition, an even more precious quality - a consciousness of the human intelligence, the human spirit and that man is a social creature."
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Norman McLaren
"The good moral work of art should have all the qualities that a good amoral work of art should have, such as formal unity, balance, contrast, and a sensitivity to the material out of which it is made."
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Norman McLaren
"The process of art evolving is always one which has fascinated me."
Art,
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Norman McLaren
"By drawing or exposing two or more patterns on the same bit of film I can create harmony and textual effects."
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Norman McLaren
"Animation is not the art of drawings that move but the art of movements that are drawn."
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Norman McLaren
"I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas."
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Norman McLaren
"And so my militant philosophy is this: to make with a brush on canvas is a simple direct delight-to make with the movie is the same."
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