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Bille August

"She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film."

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"She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film."

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"It is not true that people are naturally equal for no two people can be together for even a half an hour without one acquiring an evident superiority over the other."

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"Do you genuinely love people? Or at least make an effort to like them? Your first impressions will be made easier and more successful when you start with your heart."

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"People don't want their lives fixed. Nobody wants their problems solved. Their dramas. Their distractions. Their stories resolved. Their messed cleaned up. Because what would they have left? Just the big scary unknown."

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"People will not remember what you did for living,they will remember how you touched them with kindness and loving."

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"Most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one's mistakes."

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"The real problem is not why some pious, humble, believing people suffer, but why some do not."

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"He makes people pleased with him by making them first pleased with themselves."

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"People are always good company when they are doing what they really enjoy."

Explore more quotes by Bille August

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Bille August
"The novel is a penetrating study of morals and ethics."
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Bille August
"I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because I don't watch television myself. I'm into movies."
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Bille August
"He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film."
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Bille August
"We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter."
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Bille August
"She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film."
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Bille August
"The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it's crazy. So you can't improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility."
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Bille August
"It was a major dream come true at last. In many respects, Jerusalem is a very modern and important story about people in a period of transition, with all the unrest that permeates society on the eve of a new century. The big life issues are at stake."
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Bille August
"I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time."
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Bille August
"It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it."
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Bille August
"I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get all the money we needed. We had to get some money from television. So we said, ok, let's do it both ways. So we did it in four parts."
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