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"I remember my wife and I used to get on plane and see everybody else with their babies. They'd be putting strollers and car seats up above, and we'd think: Oh, please Lord, don't make us go through that."
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"I replaced the headlights in my car with strobe lights, so it looks like I'm the only one moving."
Car,
"My kids always perceived the bathroom as a place where you wait it out until all the groceries are unloaded from the car."
"I have a Volvo S60R and it's a pretty fast car, the R says it all."
"They put chains on me; they chained my waist, my legs. Put me in the back of a squad car, and I literally blacked out. I didn't even - there's whole pieces missing."
Car,
"A man sits in his car at the traffic lights, waiting for them to go green."
"No, in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences."
"I remember that all of a sudden, the car felt like I couldn't control it. It was absolutely the most horrifying experience. We rolled over, off the freeway. I think there was something wrong with the car."
"Campaign behavior for wives: Always be on time. Do as little talking as humanly possible. Lean back in the parade car so everybody can see the president."
Explore more quotes by Paul Reiser
"But the two of them together, broke my heart. Olympia and Peter, those scenes... When they're kissing in their 20s and then kissing in their 70s, that's what it is. And they had never met five minutes before they shot those scenes."
"And in that time, I lost my dad and had kids of my own. It was like, OK, I get it now. I know what fatherhood is all about. And you look at your parents differently."
"And after you've done the acting, there's a lot of places you can put your input - in the editing, in the production of it, in the rewriting of it and so on."
"But I really felt that, something about the lights going down, and the sense of community. I saw this movie at one festival, and there were 1700 people."
"We made this movie for $17, and nobody got anything. So it never dawned on me that we would get real people."
"It's not like some movies where you're following a bunch of different stories you can cut around. There was nowhere to cut to. It's these guys. We're not cutting back to anybody else."
"We have such a long, familiar history with Peter Falk. The minute his mug is on that screen people smile."
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