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"What you end up remembering isn't always the same as what you have witnessed."
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"Memory is a few lines snipped from a larger story that we are privileged to tuck away between the pages of our minds."

"Only later, much later, too late, did I understand how small she (Mrs Winterson) was to herself. The baby nobody picked up. The uncarried child still inside her."

"Scent is the strongest tie to memory."

"The pleasure of remembering had been taken from me, because there was no longer anyone to remember with. It felt like losing your co-rememberer meant losing the memory itself, as if the things we'd done were less real and important than they had been hours before."
Explore more quotes by Julian Barnes

"To be stupid, and selfish, and to have good health are the three requirements for happiness - though if stupidity is lacking, the others are useless."

"Is there anything more plausible than a second hand?"

"The best life for a writer is the life which helps him write the best books he can."

"But life never lets you go, does it? You can't put down life the way you put down a book."

"If you'll excuse a brief history lesson: most people didn't experience 'the sixties' until the seventies. Which meant, logically, that most people in the sixties were still experiencing the fifties--or, in my case, bits of both decades side by side. Which made things rather confusing."

"Does character develop over time? In novels, of course it does:otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that the character peaks a little later;between twenty and thirty, say. And after that we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also if this isn't too grand a word--our tragedy."

"If a memory wasn't a thing but a memory of a memory of a memory, mirrors set in parallel, then what the brain told you now about what it claimed had happened then would be coloured by what had happened in between. It was like a country remembering its history: the past was never just the past, it was what made the present able to live with itself."

"Flaubert didn't just hate the railway as such; he hated the way it flattered people with the illusion of progress. What was the point of scientific advance without moral advance? The railway would merely permit more people to move about, meet and be stupid together."

"The writer has little control over personal temperament, none over historical moment, and is only partly in charge of his or her own aesthetic."
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