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"What you end up remembering isn't always the same as what you have witnessed."
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"At last he said, "Did you come out of the big mountains?"Gitano shook his head slowly. "No, I walked down the Salinas Valley."The afternoon thought would not let Joey go. "Did you ever go into the big mountains back there?"The old dark eyes grew fixed, and their light turned inward on the years that were living in Gitano's head."

"There are times that one treasures for all one's life, and such times are burned clearly and sharply on the material of total recall. I felt very fortunate that morning."

"I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer -- and what trees and seasons smelled like -- how people looked and walked and smelled even. The memory of odors is very rich."

"Make someone feel something and you will never be forgotten."

"Valuables. That was a hot one, Richards thought, unbuttoning his shirt. He had an empty wallet with a few pictures of Sheila and Cathy, a receipt for a shoe sole he had replaced at the local cobbler's six months ago, a keyring with no keys on it except for the doorkey, a baby sock that he did not remember putting in there, and the package of Blams he had gotten from the machine."

"When we remember our former selves, there is always that little figure with its long shadow stopping like an uncertain belated visitor on a lighted threshold at the far end of some impeccably narrowing corridor."
Explore more quotes by Julian Barnes

"Books say: she did this because. Life says: she did this. Books are where things are explained to you, life where things aren't."

"You can deal with the brain, as I say; it looks sensible, whereas the heart, the human heart, I'm afraid, looks a fucking mess."

"The mechanism of natural selection depends on the survival, not of the strongest, nor the most intelligent, but of the most adaptable."

"How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but-mainly-to ourselves."

"Altitude reduces all things to their relative proportions, and to the truth. Cares, remorse, disgust become strangers: How easily indifference, contempt, forgetfulness drop away...and forgiveness descends."

"In those days, we imagined ourselves as being kept in some kind of holding pen, waiting to be released into our lives. And when the moment came, our lives -- and time itself -- would speed up. How were we to know that our lives had in any case begun, that some advantage had already been gained, some damage already inflicted? Also, that our release would only be into a larger holding pen, whose boundaries would be at first undiscernible."

"You get towards the end of life - no, not life itself, but of something else: the end of any likelihood of change in that life. You are allowed a long moment of pause, time enough to ask the question: what else have I done wrong?"

"Not merely hope, but any burdensome yearning: ambition, hatred, love (especially love) - how rarely do our emotions meet the object they seem to deserve? How hopelessly we signal; how dark the sky; how big the waves. We are all lost at see, washed between hope and despair, hailing something that may never come to rescue us. Catastrophe has become art; but this is no reducing process. It is freeing, enlarging, explaining. Catastrophe has become art: that is, after all, what it is for."

"The constant tug between nature and civilization is what keeps on our toes. Though of course, that did rather beg the question of how you defined nature and how you defined civilization."
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