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Pete Townshend

"I only really started to go to plays and to be interested in drama 20 years ago when as an artist I was already well-rounded. I think I'm more disciplined today."

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"I only really started to go to plays and to be interested in drama 20 years ago when as an artist I was already well-rounded. I think I'm more disciplined today."

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Amber Hurdle

"Well, first of all it's entertainment. That stops us becoming too pretentious or thinking we're great artists."

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Amber Hurdle

"I'm an artist and I can draw very well. I'm amazed that everybody can't draw well because I can do it so effortlessly."

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Amber Hurdle

"I started crying, because there's nothing like hearing that the artist who originally did the song likes your version."

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"The best artists are gone now."

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Amber Hurdle

"I discovered that it was a lonely world being a solo artist. Then I started working with another solo artist, Rod Stewart, and he used to tell me how lonely he was!"

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Amber Hurdle

"In general, I don't feel artists should need producers."

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Amber Hurdle

"Admittedly, it is really our duty, as artists, to hold up a mirror to our own era; but, on the other hand, these works have lives of their own, and they're still alive today."

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Amber Hurdle

"If he's a true symphony artist, he knows better than that because he knows that the only truly creative musician is the jazz musician."

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Amber Hurdle

"Just as the bird sings or the butterfly soars, because it is his natural characteristic, so the artist works."

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Amber Hurdle

"Why do we pigeonhole and label an artist? It is a sure way of missing the important, the contradictory, the things that make him or her unique."

Explore more quotes by Pete Townshend

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Pete Townshend
"What theatre started to look at much earlier than any other form was the internal operations of ordinary people, sometimes using mythic models in order to tell the story."
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Pete Townshend
"It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance."
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Pete Townshend
"We tried not to age, but time had its rage."
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Pete Townshend
"Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America."
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Pete Townshend
"I think I probably would have enjoyed to keep my own private pain out of my work. But I was changed by my audience who said your private pain which you have unwittingly shown us in your early songs is also ours."
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Pete Townshend
"The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage."
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Pete Townshend
"I just could not believe that 30 years later we're still looking at people who are supposed to write little 2-minute pop that when they actually try to do something that's a little bit more they regard it as pretentious."
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Pete Townshend
"I have terrible hearing trouble. I have unwittingly helped to invent and refine a type of music that makes its principal proponents deaf."
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Pete Townshend
"Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre."
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Pete Townshend
"But what was interesting about what the Who did is that we took things which were happening in the pop genre and represent them to people so that they see them in a new way. I think the best example is Andy Warhol's work, the image of Marilyn Monroe or the Campbell's soup can."
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