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"You can't just go in there and open your mouth until the cast and director feel comfortable with you."
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"When I was a kid and I bought a record, I ripped that thing open, I wanted to know who was playing what, what studio it was cut at, who was the string arranger, who was the engineer."
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"I went down the street to the 24-hour grocery. When I got there, the guy was locking the front door. I said, 'Hey, the sign says you're open 24 hours.' He said, 'Yes, but not in a row.'"
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"Silence is a statement that is open to gross misinterpretation."

"We know that the airports are not protected as they should be protected. The terminals are public areas, wide open - anyone can go and walk at any terminal he wants."

"In making theories, always keep a window open so that you can throw one out if necessary."

"I think there are influences that you open the door to, and influences that come under the door."
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Explore more quotes by Beth Henley

"It's called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn't realize what a rage I was in."

"I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money."

"Plays are so much more special if they've never ever had a production, but I think you can really work on a play and make it better with each production."

"I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays."

"The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play."

"The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi."

"Then I went off to Southern Methodist University in Dallas. They had a really wonderful theatre department."
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