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"We might, in that indeterminate period they call mourning, be in a submarine, silent on the ocean's bed, aware of the depth charges, now near and now far, buffeting us with recollections. . . .Grief is different. Grief has no distance. Grief comes in waves, paroxysms, sudden apprehensions that weaken the knees and blind the eyes and obliterate the dailiness of life."
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"Usually it is through loss that things come to be of value."

"American houses...' she said, peering over her right shoulder and down the street. 'They always seem to believe that nobody ever loses anything, has lost anything. I find that very sad. Do you know what I mean?"

"So that's how we live our lives. No matter how deep and fatal the loss, no matter how important the thing that's stolen from us--that's snatched right out of our hands--even if we are left completely changed, with only the outer layer of skin from before, we continue to play out our lives this way, in silence. We draw ever nearer to the end of our allotted span of time, bidding it farewell as it trails off behind. Repeating, often adroitly, the endless deeds of the everyday. Leaving behind a feeling of immeasurable emptiness."

"The anticipation of loss is much more frightening than the actual loss as anticipation leaves room for the imagination to create that which, in all likelihood, will never transpire."

"When his wife was at his side, she was also in front of him, marking out the horizon of his life. Now the horizon is empty: the view has changed."

"We sat like that for a long while, and when we stood up, all my sad things were in boxes, and Beck was my father."
Explore more quotes by Joan Didion

"More than anyone else in the society, these men had apparently dreamed the dream and made it work. And what they did then was to build a place which seems to illustrate, as in a child's primer, that the production ethic led step by step to unhappiness, to restrictiveness, to entrapment in the mechanics of living."

"It occurs to me that we allow ourselves to imagine only such messages as we need to survive."

"And except on a certain kind of winter evening-six-thirty in the Seventies, say, already dark and bitter with a wind off the river, when I would be walking very fast toward a bus and would look in the bright windows of brownstones and see cooks working in clean kitchens and and imagine women lighting candles on the floor above and beautiful children being bathed on the floor above that-except on nights like those, I never felt poor; I had the feeling that if I needed money I could always get it."

"I realized that for the time being I could not trust myself to present a coherent face to the world."

"Survivors look back and see omens, messages they missed.They remember the tree that died, the gull that splattered onto the hood of the car.They live by symbols. They read meaning into the barrage of spam on the unused computer, the delete key that stops working, the imagined abandonment in the decision to replace it."

"Making judgments on films is in many ways so peculiarly vaporous an occupation that the only question is why, beyond the obvious opportunities for a few lectures fees and a little careerism at a dispiritingly self-limiting level, anyone does it in the first place."

"Nor can we know ahead of the fact the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaningless itself."
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