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"We need to open up the future. We also need to keep everything valuable from the past."
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"We inhabit, in ordinary daylight, a future that was unimaginably dark a few decades ago, when people found the end of the world easier to envision than the impending changes in everyday roles, thoughts, practices that not even the wildest science fiction anticipated. Perhaps we should not have adjusted to it so easily. It would be better if we were astonished every day."

"The sky calls to us. If we do not destroy ourselves, we will one day venture to the stars."

"Desire and hope will push us on toward the future."

"It is extraordinary that whole populations have no projects for the future, none at all. It certainly is extraordinary, but it is certainly true."

"It is not enough to understand, or to see clearly. The future will be shaped in the arena of human activity, by those willing to commit their minds and their bodies to the task."

"I go dreaming into the future, where I see nothing, nothing. I have no plans, no idea, no project, and, what is worse, no ambition. Something " the eternal 'what's the use?' " sets its bronze barrier across every avenue that I open up in the realm of hypothesis."

"To my shame, I had never thought to ask anything of the future, and yet woke each and every day embittered because it was never what I needed it to be."
Explore more quotes by John Eaton

"Well, opera began with an intent to resuscitate Greek drama, that is, modern opera as we know it."

"However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults."

"I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey."

"But nevertheless, it's music ultimately that matters in opera, and opera is a piece of music reaching out as a vision in sound reaching out to the world."

"If you look at the timing of many of the Greek dramas from the theatrical point of view, it's all off, and I think the reason for that is that music played a very important part."

"Nevertheless, one doesn't have time to think, oh, well, this is a quarter tone sharp, or flat."
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