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"I don't see 'lines of force' as being destructive, except to the extent that they are exclusively traceable through observance of the path of distorted material left in their wake."
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"Stop aspiring and start being. The world needs you!"
"To me, living in the present means being aware of your conscious choice to focus on the past, present or future - it is not necessarily having to focus on the present."
"Being president is like being a jackass in a hailstorm. There's nothing to do but to stand there and take it."
"Being a hero is about the shortest-lived profession on earth."
"One cannot be deeply responsive to the world without being saddened very often."
"Your unstoppable nature is becoming and blooming - you simply, are. Go easy."
Explore more quotes by Brian Ferneyhough
"I frequently compose out the entire metric structure of a piece in modified cyclic form, where each cyclic revolution undergoes some form of 'variation' much as if measure lengths were concrete musical 'material.'"
"I would not say that I was, these days, a 'student' of philosophy, although in my youth I was quite deeply involved with certain aspects of the British pragmatists."
"I am certainly not arguing for the de facto autonomy of the individual work, even though there is much to be said for making the attempt to see it in that light as one facet of the reception process."
"I suppose that the scope and implications of such forces have rendered my personal accounting ritual pretty much obsolete. That's how things sometimes go."
"With respect to the respective French and German traditions you are no doubt correct, although I am reluctant to see individual achievement reduced to archetypes."
"My own position is, that it is largely up to the work itself to suggest the nature of these referential points without dimensions in and through the processes by which the distance between them is maintained."
"This was possible only by dint of extended periods of frequently quite painful reflection and digestion."
"Hence my obstinate emphasis on stylistic continuity from work to work rather than specific sibling relationships between the individual work and other members of its stylistic 'family' in the world outside."
"The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during the process of construction."
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