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"So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms."
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"Losing your job gives you the opportunity to make your life count."

"Make a change of your steps when necessary. "Status quo" is the court room where change is kept on trial for long, delaying the verdict. Make a change and achieve your dreams. Rule your case with victory."

"But it is not your own Shire,' said Gildor. 'Others dwelt here before hobbits were; and others will dwell here again when hobbits are no more. The wide world is all about you: you can fence yourselves in, but you cannot for ever fence it out."

"If you continually write and read yourself as a fiction, you can change what's crushing you."

"When what one does, reps, or 'spits', repetitively, is foul or beastly - one summons spiritual undertakers to dine on fleshly parasites. In various forms, nature's law purges all that becomes wasteful. Change your game, or the game will change you."

"Since when has corruption everywhere, homes, streets, offices, become a Nigerian factor."

"There was no sudden, striking, and emotional transition. Like the warming of a room or the coming of daylight. When you first notice them they have already been going on for some time."

"For transformation to be successful, we the people must first liberate ourselves and our brethren from the clutches of religion."
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"It would be easier to say, what was the difference in style from many years ago. Many years ago, the old violinists, they also had a good technique, they were not tonally as good."


"When you can hear a violinist, that is better than you, then you learn from him, because if you play with somebody who is worse than you, then you go down."


"Colour does not make so much difference. Look at the Bach Chaconne: There is not one dynamic mark in the whole Bach Chaconne. Colours do not make so much difference."


"Every violinist has a different style, so it's important to be able to recognise their styles. You don't have to like everyone's style but you have to know these styles."


"I don't have favourites, I think, when you play, you have to be like a prostitute, you have to love the piece you are playing. Even if you don't like it, you have to play it as if you would like it. Then you are a good interpreter."


"A good interpreter can take a piece of bad music and make it sound pretty decent, while a bad interpreter can take good music and make it sound cheap. I can tell that some people have a bad taste, and unlike on the piano, they smear around a lot, that is bad taste."


"Of course the most difficult thing on the violin is always intonation. The second one is rhythm. If you play in tune, in time with a good sound that's already high level. Those three are the main things."


"So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms."
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