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"Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation."
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Personal Development
"I think Wes Montgomery is the greatest jazz guitarist that ever lived."
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Personal Development
"My roots and Victor's are jazz, basically, but these two young fellows that we have with us come out of rock bands. And they're tremendously exciting players."
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Personal Development
"If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been."
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Personal Development
"I stayed with them for about a year up there and, at night, worked over in Long Island at a club called The High Hat Club which was like a pseudo jazz / blues place."
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Personal Development
"I listen to jazz and gospel... yeah that's basically what I listen to."
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Personal Development
"To most jazz critics I was basically Kenny G."
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Personal Development
"Well I went to New Orleans to cover the jazz festival for Trio, it's this new arts channel, it's really great."
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Personal Development
"Once you start collecting records you learn more and more about jazz and blues."
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Personal Development
"For years, Jazz At The Philharmonic albums were the only ones of their kind."
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Personal Development
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"One of my earliest memories... I knew three full verses of the Star Spangled Banner when I was seven or eight years old. And one of the nuns discovered this phenomenon and I was actually sent around from classroom to classroom to do the whole thing."
Classroom
"If I do a piece in my living room, if I practice it - and I have the tapes to prove this - it's not going to be as good as doing the same piece in front of an audience."
Living
"I'm a very, very stubborn man."
Man
"Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz."
Jazz
"I cut myself off from the mainstream of jazz. It stood me in good stead later on, as a musician."
Jazz
"Honesty is the cruelest game of all, because not only can you hurt someone - and hurt them to the bone - you can feel self-righteous about it at the same time."
Time
"There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians weren't personally that likable, they felt an obligation to help the younger musicians."
Help
"Ian and Sylvia, who, when you got right down to it, were essentially country and western singers. I just recorded his Four Strong Winds. It's a wonderful song."
Country
"They basically said that if I didn't show up for school they'd mark me present, they wouldn't send the truant officer after me. At 16 I enrolled in something called continuing education. Once a month I'd go out to Jamaica, but I didn't take it seriously."
Education
"If there was ever any truth to the trickle-down theory, the only evidence of it I've ever seen was in that period of 1960 to 1965. All of sudden they were handing out major label recording contracts like they were coming in Cracker Jack boxes."
Truth
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