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Dave Van Ronk

"Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz."

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"Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz."

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Amber Hurdle

"Writing is like jazz. It can be learned, but it can't be taught."

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Personal Development

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Amber Hurdle

"I haven't a great jazz band, and I don't want one."

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Personal Development

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Amber Hurdle

"We always feel pretty creative as far as writing songs. We write them together; we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians."

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Personal Development

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Amber Hurdle

"If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been."

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Personal Development

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Amber Hurdle

"I think Wes Montgomery is the greatest jazz guitarist that ever lived."

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Personal Development

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Amber Hurdle

"I wanted to make a jazz record. I didn't want it to be a standards record."

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Personal Development

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Amber Hurdle

"I listen to a mixture of old jazz, contemporary, pop, some world beat stuff and various odds and ends."

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Personal Development

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Amber Hurdle

"I suppose subconsciously I was thinking in terms of having the scale of it matching the scale of the images. Hence the sort of string quartet, jazz band and electronic stuff."

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Personal Development

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Amber Hurdle

"Once you start collecting records you learn more and more about jazz and blues."

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Personal Development

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Amber Hurdle

"I was considered as a jazz man rather than as a blues player. There were no blues players-you played one sort of jazz of another sort of jazz."

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Dave Van Ronk
"There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians weren't personally that likable, they felt an obligation to help the younger musicians."

Help

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Dave Van Ronk
"If there was ever any truth to the trickle-down theory, the only evidence of it I've ever seen was in that period of 1960 to 1965. All of sudden they were handing out major label recording contracts like they were coming in Cracker Jack boxes."

Truth

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Dave Van Ronk
"By the mid-70s, I wanted to get out of the business. I was tired anyway."

Business

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Dave Van Ronk
"If you look at music, you see theme, variation, you see symmetry, asymmetry, you see structure, and these are related to skills in the real world."

Music

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Dave Van Ronk
"Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz."

Jazz

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Dave Van Ronk
"I cut myself off from the mainstream of jazz. It stood me in good stead later on, as a musician."

Jazz

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Dave Van Ronk
"You can't be afraid of failure and you can't be afraid of success, because either one gets in the way of your work."

Work

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Dave Van Ronk
"Ian and Sylvia, who, when you got right down to it, were essentially country and western singers. I just recorded his Four Strong Winds. It's a wonderful song."

Country

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Dave Van Ronk
"If you asked anybody in my family, they would have very stridently proclaimed themselves middle class. My mother and father were separated, so he doesn't count."

Family

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Dave Van Ronk
"In the early 1970s. 1971, '72. The rooms were closing down, record labels weren't signing acoustic acts any more. Although they had been pretty much been getting out of that for some time before that."

Time

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