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"I think everybody dreamt somehow to make a film in Hollywood, you know."
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"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

"It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable."
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"I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film."
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"Because I just loved to spend two years of my life in the company of Andy Kaufman and other characters."

"You know, 20 years... the films of television when it started, the literature, radio in communist countries, they're clean as a whistle; there was no violence, no sex, no drugs, nothing."

"Well, listen, you know, the Czech saying is, you know, when you are drowning you are grabbing even a little twig. That's what all Czechs were doing, grabbing for... with the hope for this little twig."

"The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself."

"You know what happened, you know, in 1938: France, England, you know, just sold out Czechoslovakia to Hitler."

"I get out of the taxi and it's probably the only city which in reality looks better than on the postcards, New York."

"When I came for the first time to the United States, visiting, I was absolutely fascinated by New York."

"Now, after the communist take-over in 1948, the amount of feature films produced dwindled to three a year, while the school was, you know, every year another three, four, five students."

"Well, I wouldn't say that this experience had any influence on my decision to do this film about Andy, because Andy was apolitical. Andy was never political."

"Humor was not important only for me, humor was important for this nation for centuries, to survive, you know."
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