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Milos Forman

"I think everybody dreamt somehow to make a film in Hollywood, you know."

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"I think everybody dreamt somehow to make a film in Hollywood, you know."

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Amber Hurdle

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Amber Hurdle

"It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable."

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Amber Hurdle

"I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing."

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Amber Hurdle

"I lived in Vancouver, where they film so many things. So it gave me a good shot at it."

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Amber Hurdle

"I've never made a film using dialogue or speech."

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Amber Hurdle

"I'm a film doll. But I'm enjoying it. So I'm gonna keep doing it."

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Amber Hurdle

"I got an agent and went up for the part of my first film, Five Gates to Hell."

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Amber Hurdle

"Looper is another great film."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film."

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Milos Forman
"Because I just loved to spend two years of my life in the company of Andy Kaufman and other characters."
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Milos Forman
"You know, 20 years... the films of television when it started, the literature, radio in communist countries, they're clean as a whistle; there was no violence, no sex, no drugs, nothing."
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Milos Forman
"Well, listen, you know, the Czech saying is, you know, when you are drowning you are grabbing even a little twig. That's what all Czechs were doing, grabbing for... with the hope for this little twig."
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Milos Forman
"The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself."
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Milos Forman
"You know what happened, you know, in 1938: France, England, you know, just sold out Czechoslovakia to Hitler."
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Milos Forman
"I get out of the taxi and it's probably the only city which in reality looks better than on the postcards, New York."
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Milos Forman
"When I came for the first time to the United States, visiting, I was absolutely fascinated by New York."
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Milos Forman
"Now, after the communist take-over in 1948, the amount of feature films produced dwindled to three a year, while the school was, you know, every year another three, four, five students."
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Milos Forman
"Well, I wouldn't say that this experience had any influence on my decision to do this film about Andy, because Andy was apolitical. Andy was never political."
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Milos Forman
"Humor was not important only for me, humor was important for this nation for centuries, to survive, you know."
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