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Milos Forman

"I think everybody dreamt somehow to make a film in Hollywood, you know."

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"I think everybody dreamt somehow to make a film in Hollywood, you know."

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Milos Forman
"Well, listen, you know, the Czech saying is, you know, when you are drowning you are grabbing even a little twig. That's what all Czechs were doing, grabbing for... with the hope for this little twig."
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Milos Forman
"Now, after the communist take-over in 1948, the amount of feature films produced dwindled to three a year, while the school was, you know, every year another three, four, five students."
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Milos Forman
"People must not think that all bad in man which is unleashed, the moment you impose censorship disappears from man."
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Milos Forman
"The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself."
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Milos Forman
"First of all, to defend my work, I had to believe that I am doing a totally silly, stupid, innocent comedy."
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Milos Forman
"You know what happened, you know, in 1938: France, England, you know, just sold out Czechoslovakia to Hitler."
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Milos Forman
"First of all, whoever didn't want to be a member of this association or the other association, was branded, you know, like a dangerous individualist, you know, infected by the Western decadence, you know. So everybody joined."
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Milos Forman
"Memories are doing funny things to us."
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Milos Forman
"When I came for the first time to the United States, visiting, I was absolutely fascinated by New York."
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Milos Forman
"Because if you lived, as I did, several years under Nazi totalitarianism, and then 20 years in communist totalitarianism, you would certainly realize how precious freedom is, and how easy it is to lose your freedom."

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Aberjhani

"My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture."

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Aberjhani

"It's never a script that makes me decide to accept a film or not."

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Aberjhani

"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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Aberjhani

"No place is boring, if you've had a good night's sleep and have a pocket full of unexposed film."

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Aberjhani

"I can't do a film after having debated it. I am unable to do a film while discussing it with my team. I issue directives. I do not achieve it otherwise."

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Aberjhani

"I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film."

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Aberjhani

"I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That's when you know it worked."

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Aberjhani

"I didn't have a lot of independent film connections. It really took until the digital film revolution came along that I realized that I could do it myself."

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Aberjhani

"Altman works in such an interesting way, letting things occur in the film even if he didn't particularly plan them."

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Aberjhani

"We are the only state that does not have a State Film Corporation there to support the commercial industry."

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