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"The greatest feminists have also been the greatest lovers. I'm thinking not only of Mary Wollstonecraft and her daughter Mary Shelley, but of Anais Nin, Edna St. Vincent Millay, and of course Sappho. You cannot divide creative juices from human juices. And as long as juicy women are equated with bad women, we will err on the side of being bad."
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"To me it seems that too many young women of this time share the same creed. 'Live, laugh, love, be nothing but happy, experience everything, et cetera et cetera.' How monotonous, how useless this becomes. What about the honors of Joan of Arc, Beauvoir, Stowe, Xena, Princess Leia, or women that would truly fight for something other than just their own emotions?"
"The idea of "common oppression" was a false and corrupt platform disguising and mystifying the true nature of women's varied and complex social reality. Women are divided by sexist attitudes, racism, class privilege, and a host of other prejudices. Sustained woman bonding can occur only when these divisions are confronted and the necessary steps are taken to eliminate them."
"The mass depiction of the modern woman as a 'beauty' is a contradiction: Where modern women are growing, moving, and expressing their individuality, as the myth has it, 'beauty' is by definition inert, timeless, and generic. That this hallucination is necessary and deliberate is evident in the way 'beauty' so directly contradicts women's real situation."
"Now that I am drawing to the close of this work, in which I have spoken of so many important things done by the Americans, to what the singular prosperity and growing strength of that people ought mainly to be attributed, I should reply: To the superiority of their women."
"Women are mere 'beauties' in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individuality, interesting and ever changing, while 'beauty' is generic, boring, and inert. While culture works out moral dilemmas, 'beauty' is amoral: If a woman is born resembling an art object, it is an accident of nature, a fickle consensus of mass perception, a peculiar coincidence--but it is not a moral act. From the 'beauties' in male culture, women learn a bitter amoral lesson--that the moral lessons of their culture exclude them."
"The beauty myth of the present is more insidious than any mystique of femininity yet: A century ago, Nora slammed the door of the doll's house; a generation ago, women turned their backs on the consumer heaven of the isolated multiapplianced home; but where women are trapped today, there is no door to slam. The contemporary ravages of the beauty backlash are destroying women physically and depleting us psychologically. If we are to free ourselves from the dead weight that has once again been made out of femaleness, it is not ballots or lobbyists or placards that women will need first; it is a new way to see."
"How silly men were! Their part in procreation was so unimportant; it was the woman who carried the child through long months of uneasiness and bore it with pain, and yet a man because of his momentary connection made such preposterous claims. Why should that make any difference to him in his feelings towards the child?"
"Feminist politics is losing momentum because feminist movement has lost clear definitions. We have those definitions. Let's reclaim them. We can share the simple yet powerful message that feminism is a movement to end sexist oppression."
"Even though the advocates of feminism gladly use the term to refer to equality between man and woman, the common human brain is not capable of perceiving such equality beyond the gender bias of the very word. It'll be same as using Man to refer to both genders. Hence, the only words suitable in this scenario are Humanism and Human, rather than Feminism and Man."
"Single ladies, the only thing we need to be rescued from is the notion that we need to be rescued."
Explore more quotes by Erica Jong
"In a bad marriage, friends are the invisible glue. If we have enough friends, we may go on for years, intending to leave, talking about leaving - instead of actually getting up and leaving."
"We're programmed for suffering, not joy. The masochism is built in at a very early age. You're supposed to work and suffer - and the trouble is: you believe it."
"Though my friends envied me because I always seemed so cheerful and confident, I was secretly terrified of practically everything."
"There is still the feeling that women's writing is a lesser class of writing, that what goes on in the nursery or the bedroom is not as important as what goes on in the battlefield, that what women know about is a less category of knowledge."
"All writing problems are psychological problems. Blocks usually stem from the fear of being judged. If you imagine the world listening, you'll never write a line. That's why privacy is so important. You should write first drafts as if they will never be shown to anyone."
"Most people in this country are looking for literature that is useful. They feel that just exploring their feelings is good enough - they should be reading about leveraged buy-outs or how to get thin. We live in a culture that is so absolutely, madly focused on commercialism and on creating money and completely turned away from any other kind of creative value. People don't generally turn to poetry unless they're bereaved or have fallen in love. Or in adolescence, when their feelings are very strong and turbulent. I think most of us are dying for lack of spirit in this culture."
"When women have so absorbed the disease of sexism that they themselves can inflict it on each other, we clearly have a perfect, self-replenishing machine for the continuation of sexism. Unable to turn our assertiveness against men, we turn it against each other. Thus we remain stuck in the troubles we always had. It is imperative we renovate the machine -- no, not renovate it, but smash it entirely, so that we allow women to be all they need to be."
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