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"And I think that I'd be a natural for scoring horror movies."
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"I like the George Romero films, which were really great, social satire movies; really twisted."

"I would never do something like Speed 2 again. If I'd wanted to make those kind of movies I could have signed up for five of them while it was in the can. It wasn't worth it to me. That was just an innocuous, boring movie."

"People have perhaps gotten to the point where for the most part movies are a just bit of escape."

"I don't even know what TV star means. I know there's a difference in how people approach you, compared to movies. They feel OK coming up to you and sitting with you in a restaurant, unfortunately."
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"I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life."

"I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth."

"So, through playing with Cop I realized that there is a potentially interested audience out in the world."

"For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool."

"When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way."

"With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood."

"I actually went to film school and was making experimental films for a short time, so it wasn't such a leap."
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