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Donna Mills

"You really have to love the work. You can't look for stardom. That's a by-product."

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"You really have to love the work. You can't look for stardom. That's a by-product."

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Asa Don Brown

"He who knows how to use the power of love is the most powerful."

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Asa Don Brown

"Love is as clear as water from a pitcher."

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Asa Don Brown

"Love deep is inexhaustible like a vast ocean."

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Asa Don Brown

"Love is the ultimate style."

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Asa Don Brown

"Love awakens the divine-spirit of soul."

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Asa Don Brown

"Love finds beauty in the midst of ugliness and makes the journey of life worthwhile."

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Asa Don Brown

"To feel the love, feel through your heart, not through your mind, mind is judgmental but heart is kind."

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Asa Don Brown

"Love is one of the strongest feelings one can ever have."

Explore more quotes by Donna Mills

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Donna Mills
"If there is anything I would do differently in my life, it is that I would study business more. I'm trying to teach my daughter Chloe at an early age about investing and money so she's not afraid of it."
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Donna Mills
"The lighting is so important. One thing that makes me nuts about the lighting now is that they spend an enormous amount of time lighting the set, the background. But the most important thing in the scene is the actor."
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Donna Mills
"A lot of actors just do whatever they do, and wherever the camera is, it is. They don't pay much attention, but I always did. I was always very close to the camera crew. They were my best buddies, no matter what movie or show I was doing."
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Donna Mills
"I'm back to doing everything I used to, loving life as ever."
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Donna Mills
"My father was a middle manager at an oil company, but I never knew anything about his work. Whatever business acumen I have just got gleaned over the years."
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Donna Mills
"I thought it was very important that femininity wasn't lost."
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Donna Mills
"You know, when they called me about the role, I thought Knots Landing was a show about a houseboat with Andy Griffith!"
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Donna Mills
"Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter."
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Donna Mills
"I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using."
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Donna Mills
"I kept bugging them about making it more upscale, because I felt Abby, through her cleverness and business sense, was a character who would move up. And that's what she did."
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