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"My lines all curve. I tend to connect the wrong dots."
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"Many writers, especially male ones, have told us that it is the decease of the father which opens the prospect of one's own end, and affords an unobstructed view of the undug but awaiting grave that says 'you're next.' Unfilial as this may seem, that was not at all so in my own case. It was only when I watched Alexander [my own son] being born that I knew at once that my own funeral director had very suddenly, but quite unmistakably, stepped onto the stage. I was surprised by how calmly I took this, but also by how reluctant I was to mention it to my male contemporaries."

"I have a very strong sense that we only know where we are by looking clearly at where we've come from."

"The penalty for laughing in a courtroom is six months in jail; if it were not for this penalty, the jury would never hear the evidence."

"A real value of our lives is in how we use our time as we journey from the womb to the tomb. A great difference between the womb and the tomb is the w and the t! Wasted time! We waste great and precious time as we journey from the womb to the tomb; in the end, we remember the w and the t in a simple statement of regret, 'had I known' ! The wasted time!"

"Think of your personal and professional life-are you attracting what you want? Are you attracting the kind of people you like? Do you feel that life is working for you or against you? How have others been treating you? Are you pleased with your results?"

"I don't dream. Come to think of it, i haven't had any dreams in a long time."

"The play of a pain is a party."

"Disillusionment in living is finding that no one can really ever be agreeing with you completely in anything."

"They didn't speak as the sun slowly sank before them. Why was it most colorful when it was about to vanish for the night? Was it angry at being forced belong the horizon? Or was it a showman, giving a performance before retiring?Why was the most colorful part of people's bodies-the brightness of their blood-hidden beneath the skin, never to be seen unless something went wrong?"

"At Night on the High SeasAt night, when the sea cradles meAnd the pale star gleamLies down on its broad waves,Then I free myself whollyFrom all activity and all the loveAnd stand silent and breathe purely,Alone, alone cradled by the seaThat lies there, cold and silent, with a thousand lights.Then I have to think of my friendsAnd my gaze sinks into their eyes,And I ask each one, silent and alone:"Are you still mine?Is my sorrow a sorrow to you, my death a death?Do you feel from my love, my grief,Just a breath, just an echo?"And the sea peacefully gazes back, silent,And smiles: NOAnd no greetings and no answers come from anywhere."
Explore more quotes by David Levithan

"If you want to live within the definition of your own truth, you have to choose to go through the painful process of finding it."

"We always underestimated our own participation in magic. That is, we thought of magic as something that existed with or without us. But that's not true. Things are not magical because they've been conjured for us by some outside force. They are magical because we create them, and then deem them so. Ryan and Avery will say the first moment they spoke, the first moment they danced, was magical. But they were the ones-no one else, nothing else-who gave it the magic. We know. We were there. Ryan opened himself to it. Avery opened himself to it. And the act of opening was all they needed. That is the magic."

"Either way, you were connected. By your desires. By your defiance. By the simple, complicated fact of who you were."

"I showed him the Post-it. "You see They're from Lily."Who's Lily?"Some girl."Ooh... a girl!"Boomer, we're not in third grade anymore. You don't say, 'Ooh... a girl!'"What? You fucking her?"Okay, Boomer, you're right. I liked 'Ooh... a girl!' much more than that. Let's stick with 'Ooh... a girl!"

"It is much harder to lie to someone's face.But.It is also much harder to tell the truth to someone's face."

"Here's what I think. We all want someone to build a fort with. We want somebody to swap crayons with and play hide-and-seek with and live out imaginary stories with. We start out getting that from our family. Then we get it from our friends. And then, for whatever reasons, we get it in our heads that we need to get that feeling- that intimacy- from a single someone else. We call if growing up. But really, when you take sex out of it, what we want is a companion. And we make that so damn hard to find."

"There has to be a moment at the beginning where you wonder whether you're in love with the person or in love with the feeling of love itself. If the moment doesn't pass, that's it-you're done. And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it's even there when you thought you were searching for something else, like an escape route, or your lovers' face."
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