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Ray Walston

"I've often wondered, when they've done Of Mice And Men on stage, and I've seen it, how they did that gun thing. I've watched it on stage, but I don't remember it."

Men,
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"I've often wondered, when they've done Of Mice And Men on stage, and I've seen it, how they did that gun thing. I've watched it on stage, but I don't remember it."

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Amber Hurdle

"Many men owe the grandeur of their lives to their tremendous difficulties."

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Amber Hurdle

"You can't keep changing men, so you settle for changing your lipstick."

Men,
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Amber Hurdle

"It is the dissimilarities and inequalities among men which give rise to the notion of honor; as such differences become less, it grows feeble; and when they disappear, it will vanish too."

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Amber Hurdle

"Men are apt to prefer a prosperous error to an afflicted truth."

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Amber Hurdle

"Gutenberg and Richter were very great men."

Men,
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Amber Hurdle

"When women go wrong, men go right after them."

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Amber Hurdle

"I can remember going back a couple of years later and, you know, think about it and I was doing a, kind of a political survey, door to door, and everything and I couldn't find any men in the town. It was very strange, you know."

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Amber Hurdle

"The apostles were moved, not so much by an intellectual apprehension, as by a spiritual illumination. They met men, and the need of those men whom they met cried aloud to them."

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Amber Hurdle

"Women have a favorite room, men a favorite chair."

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Amber Hurdle

"Wine hath drowned more men than the sea."

Explore more quotes by Ray Walston

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Ray Walston
"I feel that the thing that probably aided me the most in that scene with the dog was the utilization and using an actual recreation, affective memory, if you want to call it, of pain."
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Ray Walston
"If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody."
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Ray Walston
"I should have been trying to build a career, rather than leaving it in the hands of somebody else."
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Ray Walston
"I suppose when I was a kid, and I went to movies, and later went to some plays on my own when I got a little older, in New Orleans, where I was living then, I zeroed in on the actor."
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Ray Walston
"But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor."
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Ray Walston
"I was very conscious of the actor; watched what he did."
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Ray Walston
"If it's not in New York, let's say it's in St. Louis, then they've got to find a place or get with someone who knows about the work... they've got to find a place like that and do scenes, and then try to get in plays."
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Ray Walston
"I love going on location, and the location was nice."
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Ray Walston
"I don't see all the movies that come out."
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Ray Walston
"You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head."
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