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"I was enchanted by the escape into that meticulous world that seemed real yet not... well, it seemed not real, but very detailed and meticulous, bizarre."
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"I think it would be bizarre to pick somebody to speak at the convention based on their sexual preference, because once you go down that road, why don't you pick a transvestite?"

"Nothing's sacred anymore. Those girls and I got so close. They were painting me naked every day for months. It was kind of like going to a really bizarre sleepover. It's what you guys imagine we do: One naked girl and seven pairs of hands all over her."

"Even the two times that I left, I never really felt like I left the band. It's very bizarre. It's like there's sort of an umbilical cord that stretches between us spiritually."

"We live in a bizarre world - there are cameras in our house!"

"It's so bizarre, I'm not scared of snakes or spiders. But I'm scared of butterflies. There is something eerie about them. Something weird!"

"This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times."

"What was bizarre, when I was younger, I never watched TV. I would rather watch a movie 100 times than to watch a TV show, just to find another nuance. I can't tell you how many times I've watched 'On the Waterfront', just to find a flaw so that I can learn and try to improve my thing."
Explore more quotes by Richard Foreman

"As I told you, from the time I was fifteen, I thought the theater was too much involved with actors trying to make the audience love them, being over emotional."

"All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interesting if the actor's repeated what they heard on the tape, but at a slower speed, so we'd get a web of language."

"Now, when I started my theater, the modus operandi was having the actors stare right into the audience."

"I realized that I had to be honest about where I was, where I was coming from, and what I was trying to do."

"Because even at the age of fifteen, I used to go see all the Broadway shows and feel that they were sentimental, that they were pandering to the audience and trying to manipulate the audience. I had no use for practically any of the shows that were hits."

"From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw absolutely everything in New York. Absolutely everything."

"I've been trying to figure out for at least the last 10 years how to force myself into something more risky."
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