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Liz Phair

"Women artists need to break barriers in order for women's experience to be valuable."

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"Women artists need to break barriers in order for women's experience to be valuable."

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Amber Hurdle

"When he finished, he drank from the cup. Everyone else did too, so I followed suit.And nearly choked to death.It was like fire in liquid form. It took every ounce of strength I had to swallow it and not spray it on those around me."Wh...what is this?" I asked, coughing.Viktoria grinned. "Vodka."I peered at the glass. "No, it isn't. I've had vodka before.""Not Russian vodka."Apparently not."

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Amber Hurdle

"We experience problem-solving sessions as war zones, we view competing ideas as enemies, and we use problems as weapons to blame and defeat opposition forces. No wonder we can't come up with real lasting solutions!"

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Amber Hurdle

"The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded."

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Amber Hurdle

"I think it will be found that experience, the true source and foundation of all knowledge, invariably confirms its truth."

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Amber Hurdle

"Prophecy, however honest, is generally a poor substitute for experience."

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Amber Hurdle

"As the writer, you're always a presence in the song. If you get close to what human beings are like, you're writing about common experience. We all do much the same things, so if you nail somebody, then you've also nailed yourself."

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Amber Hurdle

"Performing is an experience, for me, that is as humbling as it is energizing."

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Amber Hurdle

"I'm in the mood for another Moonstruck experience, for another romantic comedy."

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Amber Hurdle

"You learn from a conglomeration of the incredible past - whatever experience gotten in any way whatsoever."

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Amber Hurdle

"Experience really does make you better, man."

Explore more quotes by Liz Phair

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Liz Phair
"You're really creative when you're in an environment that you don't know how to handle. So collaborating was like that for me. I think that was one of the reasons why I knew I was gonna get a challenging reaction."
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Liz Phair
"I mean, I kind of remember... I'm 36 now, so it's kind of hard for me to relate to what it was like when I was 25, or 24, but I do remember a period in time when that's how I defined who I was, by the music I listened to and the movies I went to."
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Liz Phair
"I can't say I don't get nervous, but I really kind of enjoy performing now."
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Liz Phair
"That's what music is to me. Like, stuff that I really like to play loud. And I've got my quiet CDs, too, that I listen to around the house, but if you can't go there, then... Everyone gets so upset with me, I can't win."
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Liz Phair
"I think good art happens on that edge between comfortable and in a lot of pain, you know what I mean?"
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Liz Phair
"It seems to me like the Internet allows you to break that structure a little bit. You know, here's your CD that's going into stores, here's your EP that you offer online, here's a subscription for songs you recorded on the road, here's your live stuff streaming."
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Liz Phair
"The big news already broke. The file-sharing and all that stuff, it's a done deal. And I think figuring out how to make that a fair exchange for the people that make music is still an issue."
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Liz Phair
"Now, in music, it seems more like the popular crowd suppresses anyone who is different."
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Liz Phair
"Like, I kind of developed my musical style in a vacuum. Even though I listen to a lot of stuff, the way I wrote was in my bedroom, really privately. It's still the way I write, actually."
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Liz Phair
"My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly."
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