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"It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance."
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"The place trembled with sound. I didn't need to do anything. They would do it all. But you had to be careful. Drunk as they were they could immediately detect any false gesture, any false word. You could never underestimate an audience. They had paid to get in; they had paid for drinks; they intended to get something and if you didn't give it to them they'd run you right into the ocean."

"I say this quite deliberately, this is the finest Shakespearean performance I've seen."

"When we contemplate the heroes of Christianity, and compare our feeble efforts with their astonishing performance and self devotion, we should fall into despair, were there not a few softening features, by which they are brought back to the ranks of humanity."

"As the director of an opera, it is my responsibility to unify the style of the particular performance, but one can certainly approach the piece from different points of view. That's what makes it interesting and keeps it alive."

"A magician with decreasing practice sessions will give defective performances."

"A lawyer's performance in the courtroom is responsible for about 25 percent of the outcome; the remaining 75 percent depends on the facts."

"To pay 60 musicians for rehearsal and performance is quite something, and I decided I wouldn't be able to handle that kind of situation financially again, unless somebody else was taking care of that end of it."

"I take the longest to get ready of anyone. I've been going in two hours before the show every performance."

"Free speech is not to be regulated like diseased cattle and impure butter. The audience that hissed yesterday may applaud today, even for the same performance."

"If life is a stage and you are your own agent, then don't hesitate to play the character you wish to play."
Explore more quotes by Pete Townshend

"What theatre started to look at much earlier than any other form was the internal operations of ordinary people, sometimes using mythic models in order to tell the story."

"I think I probably would have enjoyed to keep my own private pain out of my work. But I was changed by my audience who said your private pain which you have unwittingly shown us in your early songs is also ours."

"I just could not believe that 30 years later we're still looking at people who are supposed to write little 2-minute pop that when they actually try to do something that's a little bit more they regard it as pretentious."

"Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre."

"What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh."

"What the Who is all about is exactly that and it always has been. If it exists today for this concert, it's in response again to a function which is happening out there on the street."

"I know how it feels to be a woman because I am a woman. And I won't be classified as just a man."

"What we learned quite early on is what was really important to early British pop that we produced-and this is where we were distinct from almost everybody else in this respect-is that it had to reflect exactly what the audience wanted us to say."

"What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive."
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