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Mark Rylance

"Our job is to make manifest the story, to be it. In a sense, the theatre is such a big star itself, bigger than any Shakespearean actor I could hire, that we should take the opportunity to fill it with voice and verse and movement, not interpretation."

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"Our job is to make manifest the story, to be it. In a sense, the theatre is such a big star itself, bigger than any Shakespearean actor I could hire, that we should take the opportunity to fill it with voice and verse and movement, not interpretation."

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Explore more quotes by Mark Rylance

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Mark Rylance
"You know, I don't think you need to be educated to be a great actor."
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Mark Rylance
"I think that was very important to Bacon... personally. I think he went to great efforts to get a house for the Stratford man, to make it so difficult for us to prove that it was Francis Bacon, because it is very difficult to prove."
Man,
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Mark Rylance
"But I don't sit down at dinner and have clever ideas."
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Mark Rylance
"It's difficult for me to say, but I don't think the sex scenes are particularly erotic."
Sex,
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Mark Rylance
"Well, my wife always says to me, and I think it's true, it's very difficult for us to understand the Elizabethan understanding and enjoyment and perception of form as it is to say... it would be for them to understand computers or going to the moon or something."
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Mark Rylance
"And it is a very beautiful idea, and possibly true, that a common man from Stratford with a common education was able to write these plays."
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Mark Rylance
"So there's a lot of people tied into believing that the traditional response to the authorship question. In terms of actors, some people get very angry about it."
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Mark Rylance
"It's an intuitive exercise to do a Shakespeare play and to go through a Shakespeare play."
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Mark Rylance
"Great actors try to dismiss all ideas from their conscious mind in order to provide an experience that is real."
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Mark Rylance
"But I find with Francis Bacon, some of the things were in the place, and someone who was connected with these schools of thought, and someone who had a motivation that equals the scope of the comedy and the tragedy in the plays."
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