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Trevor Nunn

"I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera."

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"I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera."

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Akiroq Brost

"The road Cordelia has travelled, the journey she has taken up to now has been such a joy to play as an actress, because there have been so many chances to do so many different emotions."

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Akiroq Brost

"The worst thing you can do is to hate someone. The best thing you can do is to totally love someone without expectations."

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Akiroq Brost

"Some people might say that I think too highly of you just because I worship the water you walk on."

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Akiroq Brost

"Live each day with ecstatic serenity."

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Akiroq Brost

"We love things because they reflect our imaginative love in their expression."

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Akiroq Brost

"If your emotional abilities aren't in hand, if you don't have self-awareness, if you are not able to manage your distressing emotions, if you can't have empathy and have effective relationships, then no matter how smart you are, you are not going to get very far."

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Akiroq Brost

"Tell me the story about how the sun loved the moon so much that he died every night to let her breathe."

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Akiroq Brost

"May you find the joy, hope and love of existence."

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Akiroq Brost

"Whatever you believe with feeling becomes your reality."

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Akiroq Brost

"One may not regard the world as a sort of metaphysical brothel for emotions."

Explore more quotes by Trevor Nunn

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Trevor Nunn
"In my teens, I developed a passionate idolatry for a teacher of English literature. I wanted to do something that he would approve of more, so I thought I should be some sort of a scholar."
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Trevor Nunn
"The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable."
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Trevor Nunn
"I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do."
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Trevor Nunn
"So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before."
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Trevor Nunn
"If you're a director, your entire livelihood and your entire creativity is based on your self-confidence. Sometimes that's dangerously close to arrogance."
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Trevor Nunn
"You are faced with the choice: either my integrity remains intact and this is the work that ends up on the screen, or I have to leave, and I have to be known to have left."
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Trevor Nunn
"What you're doing is putting into professional play the way that you relate to other people, the way that you analyze and relate to a written text, the way that you would persuade anybody to do anything. It has to do with listening, with humility and a sense of yourself."
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Trevor Nunn
"If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant."
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Trevor Nunn
"One fine day I discovered that more complex plays really have to be directed."
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Trevor Nunn
"In my early years, my father was away as a soldier in the war. When he came back, work was very difficult to come by. Even though he was a highly skilled man, a maker of furniture, the payment for that work was very poor."
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